Showing posts with label Congratulations. Show all posts
Showing posts with label Congratulations. Show all posts

Sunday, 26 July 2026

Constantine, "The Lady of Atlantis"

Congratulations to Constantine, MA Creative Writing graduate, who has just published his new children's novel The Lady of Atlantis!



Constantine is an autistic author and father. He achieved a first-class BA at Middlesex University in 2017 and completed his Master's Degree at the University of Leicester in 2022. Between the two degrees he wrote four episodes of the Children's TV show Pablo and has written and published the picture book Tiya and the Minotaur and The Cats of Charnwood Forest and its sequel Jötunheim. He runs the not-for-profit publishers Coalville C.A.N. Community Publishers

 



About The Lady of Atlantis, by Constantine
Sa‑ra has always heard the voices. On Thira, that makes her a priestess. But as the mountain stirs and the earth convulses, she realises the truth: her world is running out of time.

The Lady of Atlantis is a vivid retelling of Atlantis, not as myth but as living history. It is inspired by the archaeology of Akrotiri and the author’s own translations of Minoan writings.

You can read more about The Lady of Atlantis on the publisher's website here. Below, you can read a sample from the opening of the novel. 


From The Lady of Atlantis
I was about eleven when I first was asked to pa-pa-ra-te.*
 
A young woman from Akrotiri came to the palace in great distress. It appeared she carried a great burden in her mind. For she was wealthy, even by Therian standards, where it was the custom for women to be the heads of households and to hold the purse strings.

Being both wealthy and not unlovely to behold, there were men in plenty wishing to court her. Two in particular caught her eye. One was a hard-working fisherman. He was kind and pious, the years at sea had roughened his skin, and at first glance perhaps, he was certainly not what the fashion of Thira saw as "beautiful." However, he was not "unlovely," he had a sparkle in his eye and a wit which was hard not to become enamoured with. Indeed, I had seen this man, and he reminded me of my father. No greater praise could I give

The other man had recently returned from the games on Crete. Where it is said he bought Thira much honour.

He was handsome and well-knit in frame, being an athlete. He was a good man by all reports. But he was vain, caring more for his own looks, and it seemed that women in plenty flocked to him and were enamoured of him.

She wished for me to take the vapours and tell her who she should marry.

"You do not need the vapours," I said. "You already know."

"But I am in great doubt," she said. "Can you not help ease the burden?"

 It seemed strange to me that having to choose between two good men to be a burden. 

 "You desire children," I said. It was a statement, but she nodded.

"Close your eyes," I said. "Picture yourself in bed. A priestess hands you your first child. You look up into the face of your husband ... Who is it?"

Her face betrayed her shock, and then she smiled, knowing truly where her heart lay.

"I do not prophesy for good or ill," I said, "for marriage is the work of two people, and there will always be hardships unknown and joys unlooked for. But if he wants you as you him, you will both be happy."

In time, she married her choice, it was the athlete, for though he was vain, he was not conceited. Whilst he sought fame, being a good husband and a role model for his children was his first concern; and he had eyes for this woman from when they were youths. 


*This meant "to let the goddess’s radiance speak through you." Over time, this idea became the word prophecy.

 

Tuesday, 21 July 2026

Hannah Stevens, "On the Bodies of Strangers"

Congratulations to UoL PhD Creative Writing graduate Hannah Stevens, whose new short story collection, On the Bodies of Strangers, has just been published!

 


Hannah Stevens is a writer of fiction and non-fiction. In Their Absence, her debut collection of stories was published by the Stretto imprint of Roman Books and was translated into Bulgarian by Ana Pipeva for Altera Press.

Her writing has featured in numerous anthologies including The Fairlight Book of Short Stories, High Spirits: A Round of Drinking Stories and Unthology 10: Fight or Flight. She is widely published in literary journals and magazines globally including Archer Magazine (Australia), Loose Lips (Canada), Necessary Fiction (USA), Litro Magazine, Idle Ink, Losslit, Fictive Dream and TSS Publishing (all UK).

She is currently working on her third collection of stories inspired by her time living and working in Taiwan. She has undertaken writing residencies in Yangon, Myanmar, The Literature and Translation House in Sofia, Bulgaria and the Taiwan Literature Base, Taipei.

Hannah is also an editor and creative events producer and has worked around the world on projects using writing and storytelling as tools for positive social change, partnering with the BBC, the British Embassy, Greenpeace and many others. Her website is here




About On the Bodies of Strangers, by Hannah Stevens
Shortlisted for the W&A Working Class Writers’ Prize 2022. A collection of short stories linked by the theme of tattoos.

Our lives, our experiences and the people we encounter leave behind indelible marks. On the Bodies of Strangers explores marked lives and marked flesh. The stories in this collection are linked by a single thread: the tattoos of their protagonists, traces of experiences and meaning etched onto their skin.  
 
These are stories about the chaos of ordinary lives, about people who are flawed, complicated, but always deeply human. From domestic abuse to unexpected friendship, mixing horror and hope, intimacies and lies, On the Bodies of Strangers explores the many ways we mark each other and ourselves as we deal with the complexities of human behaviour.  

You can read more about On the Bodies of Strangers on the publisher's website here. Below, you can read an excerpt from one of the stories.  


From On the Bodies of Strangers

Extract from Stick and Poke

The sun is higher now and the air is hazy with dust. The factory is in full sun, and so they’ve had to move for some shade. They sit beneath a tree across the wasteland close by.

Angel opens her bag and pulls out an old towel. She lays it carefully onto the floor, smoothing out the rucks as best she can on the uneven ground. Alma watches, nods her head in approval.

"It’s getting real now," she says. Angel doesn’t speak, takes out a plastic pouch filled with a handful of sewing needles. Next she brings out a pencil, a spool of thread, and then a tiny pot of blank ink. 

"This is everything," says Angel, sitting up and straightening her back. 

"So, how does it work, then?" Alma asks. She shifts slightly, trying to get comfortable on the hard ground. 

"Well," says Angel. "You dip the needle into ink and then poke it into the skin. Like, over and over again."
 
"Yeah, even I got that," says Alma. "So the tattoo is made out of dots, not lines?"

"Yes," says Angel. "I’ll be poking dots, not drawing lines, and I’ll have to go over it a few times. It’s going to hurt." She stops talking and looks at Alma.

"It’s fine," says Alma. "I can handle it." She sniffs, avoids looking directly back at Angel. 

"What design do you want?" Angel asks. 

Alma doesn’t want to say, somehow. "I thought you were supposed to be the artist," she shrugs.

"I wouldn’t say that," says Angel. "Anyway, you should choose. It’s your body." 

A woman with two kids appears on the canal towpath. She is carrying shopping bags in each hand. They look heavy, and her shoulders sag. Alma can see the woman’s face is red, set hard against the distance she’s got to walk home. The two boys trail behind her, struggling in the lunchtime heat. Alma wonders who they are, who they’ll become, if they’d disappear eventually too. Just like her dad. 

"Maybe a moon," says Alma finally. She remembers that time when her dad was home. Just for a short while. How he showed her the moon from her bedroom window, said that whenever she saw it, she should think of him, how he loved her. It was the only time she’d heard him say that he loved anyone. She remembers the moon’s white glow, the curl of it against the dark, empty sky.

Wednesday, 17 June 2026

Book Review Competition 2026: The Results

 


Our review blog, Everybody's Reviewing, recently passed one and a half million readers. To celebrate this milestone, the Centre for New Writing in conjunction with Everybody's Reviewing ran a Book Review Competition. Current undergraduate and postgraduate students at the University of Leicester were invited to write short reviews of any book they've recently enjoyed. You can read more about the competition here.

The judging is now complete, and below you can see the results. The judges have awarded one first prize, which is a £50 voucher, one second prize, which is a £25 voucher, and no fewer than four "honorable mentions." All of these excellent reviews will be published on Everybody's Reviewing over the next couple of weeks. 

Congratulations to everyone who entered - it was a very strong field!

First Prize 

Mellissa Flowerdew-Clarke, review of Wilder Girls, by Rory Power

Second Prize

Charlie Black, review of Homage to Catalonia, by George Orwell

Honorable Mentions

Aamani Bommareddy, review of Vicky Angel, by Jacqueline Wilson

Rim Asma Khalifa, review of And the Mountains Echoed, by Khaled Hosseini

Olivia Peachey, review of A Short Stay in Hell, by Steven L. Peck

Anupriya Sisodia, review of The Seven Husbands of Evelyn Hugo, by Taylor Jenkins Reid


Monday, 30 March 2026

Spring News 2026

Our last News post was back in December. You can read it here. Lots has been happening since then in the Centre for New Writing at the University of Leicester, so here is an update on student and staff news. Thank you so much to everyone who helps make this such a vibrant community of writers. It really is a very special thing to be part of.

Firstly, congratulations to all of the MA and PhD Creative Writing students who graduated in January 2026! PhD graduate Joe Bedford was invited to speak at the ceremony. You can see his speech here. If you are interested in the MA in Creative Writing at the University of Leicester, you can read more about it here. Applications are open for Autumn entry 2026. 

From the 18th to 21st March, the University of Leicester held the 2026 Literary Leicester Festival, which, as usual, included lots of wonderful speakers, panels and events. As part of the festival, we hosted our annual Creative Writing Student Showcase. Undergraduate, postgraduate and graduate creative writers who performed at the event included Laura Besley, Nina Walker, Anupriya Sisodia, Lisa Williams, Olivia Peachey, Brandon Clune, Sophie Stockdale, Beth Gaylard, Mithila Dutta Roy, Mellissa Flowerdew-Clarke and Laurie Cusack. Thanks to everyone who made it such a lovely occasion - a brilliant celebration of everything students do. 

Our blog Everybody's Reviewing has now had over one a half million readers, and Creative Writing at Leicester has had over 800,000 readers. Thanks to everyone - our students, authors, reviewers, editors, interviewers and readers - involved. Back in January, lots of our students, graduates and staff contributed to our annual Favourite Reads of the Year article on Everybody's Reviewing. You can read it here

Congratulations to MA Creative Writing graduate Jess Bacon, whose book I'm Just a Girl will be published by Piatkus in June. Read more here.



In March, PhD Creative Writing graduate Joe Bedford hosted a panel for the European Network for Short Fiction Research, which also included Jonathan Taylor as one of the invited speakers. 

Congratulations to Laura Besley, PhD Creative Writing student, whose story "The Only Shade of Time is Gray" won third prize in the Henshaw Press Short Story Prize. Her story "These Days You're Kinda Okay" has been nominated for Best Small Fictions 2025 by Literary Namjooning Magazine. You can read it here. Her story "Seventeen Years from Now" has been published in Gooseberry Pie Lit Magazine here. She has written a review for Everybody's Reviewing here

Tracey Foster, MA Creative Writing graduate, has written a review of Muse by Ruth Millington for Everybody's Reviewing here

Congratulations to Cathy Galvin, PhD Creative Writing student, whose debut poetry collection, Ethnology: A Love Song for Connemara, has been published by Bloodaxe. She has been giving readings across the UK and Ireland, including at the Emerald Centre in Leicester. You can read more about Ethnology here



Congratulations to Beth Gaylard, who has now completed her PhD in Creative Writing in March.

Congratulations to PhD graduate Tim Hannigan, whose new book The Pathless Land: Finding a Way Across Ireland will be published by Apollo in August this year. Read more here



Congratulations to PhD Creative Writing student Kathy Hoyle who won second prize in the Hammond House Literary Awards Short Story category for her story, "Leporidae." Her story "Humbug Shark" has been nominated for Best Short Fictions 2025 by Does It Have Pockets?. You can read it here. Her story "Auld Gallowa" has been longlisted for the Bedford Short Story Competition.  

Congratulations to Mathew Lopez-Bland, who completed his PhD in Creative Writing in March. 

Iain Minney, MA Creative Writing student, has written a review for Everybody's Reviewing of The Dark Fields by Alan Glynn. You can read it here

Kimaya Tushar Patil, MA Creative Writing graduate, has written a review of The Cruel Prince by Holly Black for Everybody's Reviewing here

Karen Powell-Curtis, PhD Creative Writing graduate, has written a review of Have they marked you with arrows? by Jayne Stanton for Everybody's Reviewing here

Congratulations to Cathi Rae, PhD Creative Writing graduate, whose new poetry collection, Writing Elegies for Dead Men I Didn't Meet, has recently been published by Coalville CAN Publishing. You can read more about the collection here. You can read a review of the book on Everybody's Reviewing here. She has also written three articles on "Poetry for Everyone" for Writing Magazine. You can see more details here



Mithila Dutta Roy has reviewed Kit de Waal's Supporting Cast for Everybody's Reviewing here

Anupriya Sisodia, MA Creative Writing student, has been undertaking work experience as editor for Everybody's Reviewing. She has written a review for the site here

Jonathan Taylor's second novel Melissa, published in 2015, has been named as one of Stoke-on-Trent's "100 Books," a list of one hundred books from the Potteries to celebrate a hundred years of the city. He has written reviews for The Morning Star, which you can read herehere and here. His story "Cassie and the Green Knight," commissioned by the West Midlands Readers' Network, is in the anthology 5 Stories. With Karen Stevens, he has also been co-editing a book of essays, Creative Writing and the Critical Commentary, which will be published by Bloomsbury in June 2026. 



Congratulations to PhD Creative Writing graduate
Paul Taylor-McCartney whose historical fantasy epic, the 5-book Broken Pentacle series, is going to be published by Blue Poppy Publishing. The second of the series, Guardians of the Pentacle, will be published in November this year. You can read about the first book here. His book, Cornwall Uncharted: Mapping Cornwall's Queer History of Concealment, Culture and Creativity, will be published by the History Press in June this year. Paul has also written reviews of The Language of Now by Anne Caldwell and The Subtle Art of Short Fiction, ed. Isabelle Kenyon, both for Everybody's Reviewing here and here



Harry Whitehead will be reading and speaking at Oundle Lit Fest on the evening of Friday 17th April, and Wirksworth Book Festival on the afternoon of Saturday 25th April. He'll be talking about his novel White Road, which you can read more about here

Congratulations to Lisa Williams, MA Creative Writing graduate, whose novella provisionally entitled The Longest Day will be published by Road Song Books later this year. Lisa has also written a review for Everybody's Reviewing which you can read here


Friday, 6 March 2026

Books by Students on Creative Writing at Leicester


Over the last few years, BA, MA and PhD students and graduates in Creative Writing at the University of Leicester have had amazing success publishing their books and chapbooks - including novels, short story collections, flash collections, novellas-in-flash, poetry collections, memoirs and works of creative non-fiction. We've featured lots of these on this blog, so we thought it might be a good time to collect some of them together, as a way of celebrating these authors' successes - congratulations to all once again!

You can find out more about our BA in English with Creative Writing here, our BA in Journalism with Creative Writing here, our acclaimed MA in Creative Writing here, and our PhD in Creative Writing here

Here (below) you can find links to just some of the books we've featured on this blog by Leicester University BA, MA and PhD students and graduates in Creative Writing over the last few years.


Joe Bedford, A Bad Decade for Good People (novel)

Laura Besley, The Almost Mothers (flash fiction collection)

Laura Besley, Un(Natural) Elements (micro-fiction collection)

Constantine, Alien Boy (children's novel for reluctant readers)

Constantine, And things begin to change ... and other stories (short story collection)

Constantine, Jötunheim (children's novel)

Constantine, Tales of the Charnwood (short story collection)

Constantine, Tiya and the Minotaur (children's novel)

Constantine, The Cats of Charnwood Forest (children's novel)

Laurie Cusack, The Mad Road (short story collection)

Kassie Duke, Word Bath (poetry collection)

Cathy Galvin, Ethnology: A Love Song for Connemara (poetry collection)

Cathy Galvin, Walking the Coventry Ring Road with Lady Godiva (poetry collection)

Tim Hannigan, The Granite Kingdom: A Cornish Journey (travel writing)

Talia Hibbert, Get a Life, Chloe Brown (novel)

Kathy Hoyle, Chasing the Dragon (novella-in-flash)

Sabyn Javeri (ed.), Ways of Being: Creative Non-Fiction by Pakistani Women (edited anthology)

Kevan Manwaring, Writing Ecofiction (textbook)

Cathi Rae, Just This Side of Seaworthy and Other Poems and Rock, Paper, Scissors and Other Poems (poetry collections)

Cathi Rae, Your Cleaner Hates You and Other Poems (poetry collection)

Cathi Rae, Writing Elegies for Dead Men I Didn't Meet (poetry collection)

Anita Sivakumaran, Cold Sun (novel)

Hannah Stevens, In Their Absence (short story collection) 

Paul Taylor-McCartney, Sisters of the Pentacle (YA novel)

Rory Waterman, Come Here to this Gate (poetry collection)

Rory Waterman, Sweet Nothings (poetry collection)

David Wharton, Finer Things (novel)


Wednesday, 4 March 2026

Cathy Galvin, "Ethnology: A Love Song for Connemara"

Congratulations to Cathy Galvin, University of Leicester PhD Creative Writing student, whose poetry collection Ethnology has just been published by Bloodaxe Books!



Cathy Galvin's debut poetry collection, Ethnology: A Love Song for Connemara, is published by Bloodaxe Books in the UK and Ireland. She has published three previous pamphlets of poetry, Black & Blue (2014), Rough Translation (2016) and Walking the Coventry Ring Road With Lady Godiva (2019). She is widely published as a poet and short story writer and is the recipient of a Hawthornden Fellowship, a Heinrich Böll residency and an Arts Council England DYCP award. As a journalist she has worked as a senior editor for Newsweek and the Sunday Times. She founded the Sunday Times Short Story Award and the short story organisation, the Word Factory. She is the editor of Red, an anthology of new writing published by Waterstones. She is a PhD candidate at the University of Leicester and lives near Bodmin Moor in Cornwall. 




About Ethnology: A Love Song for Connemara, by Cathy Galvin
Ethnology draws on the mystical cry for the dead of Cathy Galvin's Irish-speaking ancestors. Within an epic narrative she reclaims place, people and language and creates a dialogue with the poets, folklorists and ethnologists who have written about the West of Ireland for their own agenda. Loss, and loss of a mother tongue, are carefully explored. 

You can read more about Ethnology on the publisher's website here. Below, you can read two sample poems from the collection. 


From Ethnology


Walls

There’s no anvil, brooch, harrow-pin.
The currach’s broken, walls stand without a roof.
All that’s left: a bureau containing bills,
cards, scarves, a Will.
You’re not in view but I can hear a breath
– the well-made dress and phrase.
My made things broke long ago.
They had little purchase on this world.
The creed, letters I do not read.
Solid seem the things that slip away.
Leaving us bone.
We stake a claim, lay foundations,
build and watch it fall.
Within, the comforts that ease survival.
We cut back wilderness, tame, contain
sycamore, birch, bramble, willow, grass.
All return.
Our walls come down, consolations go.
We do not come back. Take away it all
and what is left is who we are.
Our homes are built to go. 


Coventry Carol

You did not sing in Irish or in English.
Never told me what the English did to your people,
were clear you did not want an Irish husband,
someone who might sing sweetly and leave his wife behind,
become a father like yours who did not feed his own children.
When the Irish began bombing Birmingham,
and a shopkeeper refused to serve me in my Catholic
school uniform, your silence filled my mouth.

Wednesday, 25 February 2026

Cathi Rae, "Writing Elegies for Dead Men I Didn't Meet"

Congratulations to UoL MA and PhD graduate, Cathi Rae, whose new poetry collection has been just been published!



Cathi Rae is a poet, spoken word artist, teacher of creative writing and anti-ageist activist. She has performed throughout the UK and has been described as a "spoken word icon" by Joelle Taylor. Cathi has an MA in Creative Writing and a practice led / creative PhD - both awarded at the University of Leicester. Her new collection is Writing Elegies for Dead Men I Didn't Meet (Coalville CAN Community Publishing, 2026). 



About Writing Elegies for Dead Men I Didn't Meet, by Cathi Rae
Nick Everett writes: "This collection explores the painful but important subject of male suicide in a series of eloquent and sensitive poems, each informed by a true story. Drawing only on information publicly available on social media, these are poems of respectful distance as well as of imaginative sympathy; and they bear moving testimony not only to the distinctive of each commemorated individual but also to the tragically powerful social forces that lead men to suffer in silence rather than share their feelings."  

25% of proceeds from the book will be donated to @andysmanclub - a UK based grassroots charity supporting men's mental health. You can read more about Cathi's work on the publisher's website here. Below, you can read two sample poems from the collection. 


From Writing Elegies for Dead Men I Didn't Meet

Tiger Feet

There’s a photo of you   a snapshot    snap-shot
in a kitchen full of the clutter of life with children
a jumble of laundry 
leaning into the door of the washing machine
an endless cycle of
clean and worn and dirty

and is this how you came to feel
worn out    and    dirty

but       there’s this picture
taken for no special reason
except that someone said    smile
and so you did
can of beer 
comfortable in your fist     familiar
I can tell

and you should be wearing Riggers     
or Docks   or even battered baseball boots
smeared with plaster stains and paint
work wear     work-worn    
instead     you’re wearing tiger slippers
you’re wearing tiger feet 
daily everyday wear
seen better days

your suicide almost unnoticed
no social media Greek chorus grief
seven people noticed that you were gone

worn out    and dirty
endless cycle     ceased

and I wonder 
what happened to your tiger feet.


Club 18 to 35

Planning a road trip with a mate    so off his head on pills 
he’s already seeing double before you’ve even left the car park
tyres with tread so thin that only belief 
keeps traction on the road
and a brake light that flickers
On
Off
On 
Off
don’t think about it
pump up the volume
bang out a rhythm on your steering wheel

this is still safer than being a boy aged 18 to 35

or on an off-the-books 
and under the radar building site
you stand on scaffolding
railing at the skies
sans hard hat of course
because you’re hard enough
“Come on God - do you want some?”

this is still safer than being a boy aged 18 to 35
  
be a squaddie
in an army    any army
in a desert    far from home
where the red dust road goes on forever
dropped into a landscape you can’t read 
not fluent in foreign
scarcely fluent in your mother tongue 

this is still safer than being a boy aged 18 to 35

be a superhero 
on a media friendly tower
acrid smell of sweat and fear
homemade banner     Rights for absent fathers
the S scrunched up too small
looked so much easier when you planned it on the web

this is still safer than being a boy aged 18 to 35
 
blamed for every act of violence
held responsible    even when you weren’t
finally formulated this efficient use 
of guns and ropes and pills
rubber tubing snaking from exhausts to driver’s seat
this tidying up of all loose ends
 
finally in touch with your feelings
too late
 
when a room’s on fire 
sometimes a leap into nothing
feels the safest thing.

Wednesday, 17 December 2025

Christmas News 2025

Our last News post was back in August. You can read it here. Since then, lots has been happening in the Centre for New Writing at the University of Leicester, so here is an update on student and staff news. Congratulations and thanks to everyone who helps make this such a vibrant community of writers. It really is a very special thing to be part of. And wishing everyone a very happy Christmas and New Year!



General News

Congratulations to all the MA Creative Writing students who successfully completed their course in September - a huge achievement!

We've held various guest lectures and public workshop over the last three months. These include a visit from Mr Shay, Leicester's first ever Poet Laureate (you can read more about his role here), a masterclass by Prof Kit de Waal ("Research Tips for Writers"), and a talk by Marco Volpe from Creative Computing on "Computational Storytelling." 

In December, we held a Christmas Creative Writing Research Seminar, open to all, in which PhD students Kathy Hoyle and Beth Gaylard gave excellent talks about their research. There were also some mince pies.  

Our review blog, Everybody's Reviewing, has now had well over one million readers. Thank to you everyone - our reviewers, interviewers, authors, editors and readers - involved. This blog, Creative Writing at Leicester, has now had well over half a million readers. Again, thanks to everyone involved!



Student and Staff News

Congratulations to PhD Creative Writing student Laura Besley whose story "Like a memory, or maybe only a dream" has been nominated for a Pushcart Prize, and whose story "We cannot know the dreams of absent fathers" won third prize in the Leicester Writes Short Story Prize 2025! Read more here and here, respectively. Laura's story "Love (A Journey)" has been published by Fictive Dream here. Laura's story "These Days, You're Kinda Okay" is published in Literary Namjooning here

Congratulations to MA Creative Writing graduate Constantine on the publication of his new book of short stories, Tales of the Charnwood. You can read more here

The Mad Road by PhD Creative Writing graduate Laurie Cusack has been reviewed in The Letter Press Project here. Laurie drafted The Mad Road as part of his PhD at Leicester. 

Congratulations to MA Creative Writing graduate Sam Dawson, whose story "Since the Fish Started Screaming" was shortlisted for the Aurora Short Fiction Prize 2025. Read more here. Sam's story "Dolly" was also longlisted for the Leicester Writes Short Story Prize. 

Congratulations to Kit de Waal, Professor of Creative Writing, who has been appointed a Fellow of the Society of Authors. Read more here

New Walk Editions, which is co-edited by Honorary Fellow in Creative Writing Nick Everett, has recently published two new pamphlets: The Morlocks by Mark Ford, and  À la Carte by Sean O'Brien. Read more on the publisher's website here

Tracey Foster, MA Creative Writing graduate, has had three of her haiku published in Madswirl Magazine here. Tracey's haiku "Gallery" is published on the Haiku Foundation website. 

Congratulations to PhD Creative Writing student Cathy Galvin, whose poetry collection Ethnology: A Love Song to Connemara will be published by Bloodaxe in February 2026. See more here

Congratulations to Kathy Hoyle, PhD Creative Writing student, whose story has been shortlisted for the Hammond House 2025 Literary Prize. You can see the shortlist here

As part of the University's Ukrainian Culture Week, final-year Creative Writing student Oleksandra Korshunova gave two excellent and moving poetry readings in the David Wilson Library. She read from and talked about contemporary Ukrainian poetry, and finished with a poem of her own. She performed the poems in both English and Ukrainian. You can read more about the Ukrainian Culture Week here.  

Congratulations to PhD Creative Writing student Mathew Lopez-Bland, who passed his viva in November!

Karen Powell-Curtis, PhD Creative Writing graduate, has written reviews for Everybody's Reviewing of Mary Bailey's Poems of a Nottingham Lace-Runner here, and Familiar Phantoms by Sue Forrester here

Congratulations to PhD Creative Writing student Rob Reeves, who passed his viva in November!

Congratulations to MA Creative Writing student Mithila Dutta Roy, whose story "A Father and a Tide" has been longlisted for the World History Encyclopedia Ink of Ages Fiction Prize. Read more here.  

Congratulations to PhD Creative Writing student Jane Simmons, who passed her viva in November!

Hannah Stevens, PhD Creative Writing graduate, has had her story "A Micro-Second of Silence" published by Fictive Dream here

Jonathan Taylor, Associate Professor of Creative Writing, has been co-editing, with Karen Stevens, a book of essays called Creative Writing and the Critical Commentary: Reflection, Influence and Process, which will be published in 2026. His short essays "The Role of Comedy in Short Fiction" and "On Relatability" have been published, respectively, in The Subtle Art of Short Fiction, ed. Isabelle Kenyon (Fly on the Wall Press), and Antae: A Journal of Creative Writing (read it here). He has written three reviews for The Morning Star here, here and here. He has given various readings and talks, including the Christmas address to the Arnold Bennett Society  

Congratulations to Paul Taylor-McCartney, PhD Creative Writing graduate, whose first non-fiction book, Cornwall Uncharted: Mapping Cornwall’s Queer History of Concealment, Culture and Creativity, will be published by the History Press in June 2026, to coincide with National Pride Month. You can read more about Paul's work on his website here. Paul has written a review of White Road by Harry Whitehead for Everybody's Reviewing here

Associate Professor of Creative Writing Harry Whitehead's novel White Road was published in September and he embarked on a book tour, taking in several book festivals and other events from Scotland to Kent. The tour continues into 2026 (see more news and reviews here).  

Lisa Williams, MA Creative Writing graduate, has a story ("Hope") in a new anthology called Pocket Full of Posies: Shadow Children, edited by Parth Sarathi Chakraborty and Rasiika Sen. Read more about the anthology here. Lisa has written reviews for Everybody's Reviewing of FantasticLand by Mike Bockoven here and The Names by Florence Knapp here.  

Lee Wright, PhD Creative Writing student, has written a review for Everybody's Reviewing of Common by Nikolai Duffy here



Monday, 8 September 2025

Harry Whitehead, "White Road"

Congratulations to Harry Whitehead, Associate Professor of Creative Writing at the University of Leicester, on the publication of his second novel, White Road!



Harry Whitehead is a novelist and director of the University of Leicester’s Centre for New Writing and its annual free lit-fest, Literary Leicester. His first novel The Cannibal Spirit (Penguin) was reviewed as "powerful, brave, ambitious" (The Globe & Mail), "a unique work, compelling, complex, thought-provoking and impressive" (Quill & Quire). White Road (Claret) is his second. He’s published short stories, reviews, essays and more in a wide variety of genres. Currently, he’s writing a novel about climate change in the Himalayas. 



About White Road, by Harry Whitehead
White Road tells the story of an oil rig that explodes in the High Arctic just as winter is setting in and the environmental disaster that follows. Carrie, a Scottish-born rescue swimmer, is lost, presumed dead, after the accident. Only she can answer the questions about what really happened, but first she must find her way back to civilisation across the polar wilderness in the Arctic night.

Below, you can read a short section from the novel. Carrie is stranded on the sea ice, with a badly injured back, following an ice ridge beside open water south. The ice is rapidly breaking up after an abrupt change in the weather. And she’s about to realise the true extent of the environmental disaster unfolding somewhere out there on the dark ocean.


From White Road
Clutching the walking poles, she leaned forward to haul the heavy sled, but her back hurt so fiercely she had to crouch down instead. She pressed her fists into her temples. Squeezed through the hood, trying somehow to reduce the agony. She needed focus. At any moment, this ice slab would break free of its mooring and she’d be marooned on a crumbling, free-floating berg on the ocean.

Crying out with each step, she slogged forward over the ice’s dancing surface. Its shivering movement, the way it dropped and rose, meant her legs hardly knew what to do. Her knees gave way at the wrong moment. Her rump slammed down on her ankles, and her back exploded in anguish. 

But now the ice ridge beside her began to come apart in earnest. Fragments showered down on her. Looking up, she saw one giant slab, big as a pick-up truck, teetering one way and the other. Desperately, she picked up her pace, adrenalin numbing the physical anguish.

A tearing clamour, snaps, a series of bangs and then a sizzling rush. The weight of the sled against her harness abruptly vanished. Over her shoulder, she saw it lifted up on a wave of smashed ice and roiling water where the ridge had come down behind her. She had time to take another step before the sled whipped her legs away and she collapsed on top of it. She careered forward amid the wave’s roar. A ball of ice two feet thick whistled past her head. The water and slush-ice gushed about her body. She was screaming. 

At last, it stopped. She lay still, arched diagonally over the sled like a sacrifice across an altar. The water’s confusion subsided. Carrie fidgeted the sled harness from her waist, dragged herself to her feet. The floe she’d just escaped was turning away like some stately liner leaving dock. A mass of smaller ice chunks still cascaded down the broken ridge-end into the frothing sea.

Her arms, her body, glimmered in subtly refracting colours. For a time, she just stared at herself in fascination. She was hallucinating. Then she understood. Where the water had washed over her, she was covered in a thin film of oil.


Monday, 11 August 2025

Summer News 2025

Our last News post was back in April. You can read it here. Since then, lots has been happening in the Centre for New Writing in the University of Leicester, so here is an update on student and staff news. Congratulations and thanks to everyone who helps make this such a vibrant place to be!

 


General News from the Centre for New Writing

Above all, we're sad to announce that Nick Everett, Associate Professor of American Literature and Creative Writing, has now taken early retirement from the University. Nick has worked at the University of Leicester for thirty-four years. He has been the cornerstone of Creative Writing, and its founder as a subject here. He introduced the original MA options in Creative Writing, undergraduate modules, and the PhD programme. His contribution to the University and to students over the years has been immeasurable. It goes without saying that he will be hugely missed by students, graduates and staff alike. He will continue as an Honorary Fellow at the University. He will also be continuing his work as co-editor of the hugely successful New Walk Editions. Thank you for everything, Nick!

Our acclaimed MA in Creative Writing is still open for late applications for October 2025. You can find information and apply here. For more detailed information, or to talk about the course, email Jonathan Taylor on jt265@le.ac.uk. 

This blog, Creative Writing at Leicester, has recently passed 450,000 readers, while our review blog, Everybody's Reviewing, has now had over 700,000 readers. Thank you to everyone - reviewers, readers, editors, authors, interviewers, interviewees - involved!

The Centre for New Writing, in conjunction with Everybody's Reviewing, recently ran its first ever student Book Review Competition. The competition was open to all undergraduate and postgraduate students in the School of Arts, Media & Communication at the University of Leicester. Congratulations to all the winning entries, from Lee Wright (1st prize), Mellissa Flowerdew-Clarke (runner-up), Iain Minney (runner-up), Wiktoria Borkowska (honourable mention), Kathy Hoyle (honourable mention), and Kimaya Patil (honourable mention). You can read more about the competition here


Student and Staff News

Congratulations to PhD Creative Writing student Joe Bedford, who passed his viva in June! Joe has also had a short story published in issue 3 of Ragaire Magazine, available here.  

Congratulations to PhD Creative Writing student Laura Besley, whose new collection, sum of her PARTS, has just been published by V. Press. You can read more about it here. Laura's story "The Tilting World of Lotte Janssen" won Morgen Bailey's May 50-Word Short Story Competition, and her story "Playing at Dinner for Two" won the April Competition. You can read the stories here and here. Her story, "It's All So Unexpected," won second prize in the 500 Flash Fiction competition. You can read it here. Laura was also shortlisted for the prestigious Scratch Books Short Story Competition. You can read her story, "Every Winter Solstice," here



Congratulations to Constantine, MA Creative Writing graduate, whose new book, Alien Boy: Wasteland (sequel to Alien Boy) has been published by Coalville CAN Community Publishing. Read more here



Congratulations to MA Creative Writing graduate Sam Dawson whose story "Set in Stone" was published in the inaugural issue of The Bournemouth Journal. His story "Statues" has also been published by Crow & Cross Keys. You can read it here. He originally drafted both stories during his MA. 

Congratulations to Kit de Waal, Professor of Creative Writing at the University of Leicester, on the publication of her new novel, The Best of Everything. You can read more about the novel hereKit was Chair of Judges for The Women's Prize for Fiction 2025. There is a video of the awards here, and more information on The Women's Prize website here. She was on BBC R4 Bookclub talking about My Name is Leon - available on BBC Sounds here. Kit has also become Ambassador of the charity Bookbanks. You can find more information on the charity's website here.

New Walk Editions, which is co-edited by Nick Everett, Associate Professor of American Literature and Creative Writing, published two new pamphlets in June: D. A. Prince’s Continuous Present and Richie McCaffery’s Skail. You can see more details on New Walk Editions' website here.

Congratulations to MA Creative Writing graduate Tracey Foster, who is guest poet on Mad Swirl here. Tracey has written a review for Everybody's Reviewing of Spring Cannot Be Cancelled, by Martin Gayford, here.

Congratulations to new PhD Creative Writing student Cathy Galvin, whose poetry collection Ethnology will be published by Bloodaxe Books in 2026. You can read more here



Congratulations to PhD Creative Writing student Beth Gaylard, who passed her PhD viva in June!

Congratulations to PhD Creative Writing student Kathy Hoyle, whose story "A Diner Full of Nothing'" is published by FlashFood here

Sabyn Javeri, PhD Creative Writing graduate, gave a public talk at Newcastle City Library with the NMC (North Modern and Contemporary Network), on the personal challenges of writing, on Thursday 3rd July.

Creative Writing student Grace Klemperer won both this year's G. S. Fraser Prize (for best undergraduate poetry submission) and the John Coleman Prize (for best undergraduate non-poetry submission). Honourable mentions for the G. S. Fraser Prize were given to Mahnoor Raja and Keeley Zappia. An honourable for the John Coleman Prize was given to Sarah Moritz. Congratulations to all!

The Strange History of Samuel Pepys's Diary by Kate Loveman, Professor of Early Modern Literature and Culture, was recently published by Cambridge University Press. You can read more about it here



Congratulations to Creative Writing student Dave Marston, whose poem "They" is published in a new anthology Salt in the Wound, published by Underland Review. You can read more here

Amirah Mohiddin, PhD Creative Writing graduate, has written a review of Birdy Arbuthnot's Year of "Yes" by Joanna Nadin for Everybody's Reviewing here

Sally Shaw, MA Creative Writing graduate, has written a review of The Two Keisukes by Brian Howell for Everybody's Reviewing here

PhD Creative Writing graduate, Hannah Stevens, has been interviewed about her writing for Pukaar Magazine. You can read the article here

Congratulations to Karen Stevens, Senior Lecturer in Creative Writing at Chichester University and also our External Examiner for the MA in Creative Writing (2020-2024), whose short story collection, Brilliant Blue, has been published by Barbican Press. You can read more about it here

Shauna Strathmann and Anna Walsh, MA Creative Writing students, recently performed at Leicester Quaker Meeting House as part of a series of "Green Talks." The event, which took place in June, was entitled "Changeable" and involved a poetry reading and discussion about Creative Writing and the climate crisis. 

Jonathan Taylor, Associate Professor of Creative Writing, won the Arnold Bennett Prize for his book of short stories, Scablands and Other Stories, in May. The prize is awarded bi-annually by the Arnold Bennett Society to the author of a book with connections to North Staffordshire. Jonathan's memoir, A Physical Education, was also longlisted for the award. You can read more about the award here and on the Society's website here. Jonathan's article, "Arnold Bennett, Stoke and Me," is on Chainlink Magazine here. In July, Jonathan was writer in residence for the day in Trentham Library, Stoke-on-Trent, as part of a project to mark 100 years of Stoke-on-Trent as a city. You can read more about the project here. Jonathan has also written reviews for The Times Literary Supplement here and The Morning Star here. His story "Bubble Man" was published in The Morning Star, and you can read it here

Paul Taylor-McCartney, PhD Creative Writing graduate, has written a review of Brilliant Blue by Karen Stevens, for Everybody's Reviewing here. He also reviewed raw content by Naomi Booth here. A short fiction title, "Twelve Stories for Twelve Sections," that Paul commissioned, co-edited, published and launched as a collaboration between Hermitage Press and Cornwall National Landscape was a first place winner at the prestigious Holyer an Gof Publishers’ Awards in July. Paul has also been busy promoting his children's novel, Sisters of the Pentacle, at various bookshops and retailers around Cornwall, having completed a draft of the second book in the series.



Nina Walker, PhD student, has written a review of sum of her PARTS by Laura Besley for Everybody's Reviewing here

Harry Whitehead, Associate Professor of Creative Writing, recently returned from a month's artist residency with the Ladakh Arts and Media Organisation (LAMO) in Ladakh, India. He was there to research and write his next novel, about a film crew coming unstuck while shooting a tyre advert in the Himalayas. While he was in Ladakh, he also gave a series of workshops and talks about Creative Writing. Harry's new novel, White Road, will be published in September by Claret Press. He will be launching the novel at the University of Leicester on Wednesday 1 October, 5.30pm-6.30pm, in the David Wilson Library. All are welcome, and details are here. Harry also wrote a review of Syllables of the Briny World by Georgina Key for Everybody's Reviewing here


Harry with the LAMO team in Ladakh, India


Congratulations to MA Creative Writing graduate Lisa Williams, whose story, "Dad's Shed," was published in the new issue of Blink Ink Magazine

As well as winning first prize in our book review competition (see above), PhD Creative Writing student Lee Wright has written a review of On Writers and Writing by Henry James for Everybody's Reviewing here