Joe Orton Creative Writing Competition 2023: The Results

The School of Arts at the University of Leicester runs an annual Joe Orton Creative Writing Competition that invites A-Level students to write an Edna Welthorpe letter. "Edna Welthorpe" was the persona that Orton invented to embody the values he abjured - middle-class, middlebrow, conservative. Through Edna's letters of complaint (or praise), Orton mocks social and sexual convention. 

The annual Joe Orton Creative Writing Competition is funded by a kind donation from Dame Vivienne Westwood.

You can read this year's two winning letters, by Hazel Morpurgo and Amelie Houseago, and the runner-up letter, by Chloe Howe, here. 

Below, Hazel Morpurgo talks about her writing processes, her experience of writing Edna Welthorpe (Mrs) letters, and her success in the Joe Orton Creative Writing Competition 2023. Congratulations to all the winners, and thanks to all the entrants! 

By Hazel Morpurgo

I first came across Joe Orton through A-Level English, in which we studied his 1965 play Loot. I learned about the Edna Welthorpe letters in his biography, Prick Up Your Ears, and found the concept of spoof letters hilarious, especially when I discovered that Edna had a counterpart: the endlessly congratulatory Donald H. Hartley, also constructed by Orton. The pair would even argue about Orton’s plays in newspaper review columns! I was already an Edna enthusiast, therefore, when my English teacher recommended this competition to the class.

Given my own participation in Extinction Rebellion and Fridays for Future, I wanted to provide a comedic account of the petty individualism which prevents many people from engaging with the important issues these movements represent. Through the prominent roles cooking, frying and charring play in this short narrative, I provide an allegory of climate change, a theme which I tried to make implicit further in the name I originally gave to my Edna Welthorpe, 'Constance Mundham,' which I derived from the Latin expression 'contra mundum.' I thought this phrase appropriate because it crops up regularly in Joe Orton’s defiant diary entries, and also because its literal meaning – ‘against the world’ – seemed to fit my character in every sense: against everyone around her and, in her inability to comprehend bigger issues than her cookery class, against the planet.

I really enjoyed using my knowledge of Orton’s style, which I had gathered from English lessons, and applying it to my own Edna Welthorpe letter. Writing the piece towards the end of studying Loot, the Edna Welthorpe competition was the ideal way to round everything up, channelling my various impressions of his work into this entry.

Call for Submissions: "Yours Faithfully, Edna Welthorpe (Mrs)" Annual Creative Writing Competition

Edna Welthorpe Lives!

By Emma Parker

In 1967, Leicester-born playwright Joe Orton won the prestigious Evening Standard Play of the Year Award for his anarchic black comedy, Loot, prompting David Benedictus (author of the Winnie-the-Pooh sequel Return to the Hundred Acre Wood) to issue a public objection. How could a play widely condemned as ‘sick’ and ‘disgusting’ merit commendation? 

Amused that his satire on religious hypocrisy and police corruption should arouse such ire, Orton penned an ‘Edna Welthorpe’ letter in response:

        May I add my thoughts to those of David Benedictus on the subject of those ‘much-
        talked-of awards’?

        I agree that no one should seriously nominate as the play of the year a piece of 
        indecent tomfoolery like Loot. Drama should be uplifting. The plays of Joe Orton have 
        a most unpleasing effect on me (19 February, 1967).

‘Edna Welthorpe’ was the persona that Orton invented to write letters spoofing social and sexual conservatism. Middle-aged, middle-class and middlebrow, she is the opposite of Orton, a working-class gay man living in a period when homosexuality was still illegal. First created in 1958, Edna anticipates the emergence of Mary Whitehouse, the moral crusader who co-founded the ‘Clean-Up TV Campaign’ in 1964. In Orton’s Edna Welthorpe letters, concerns about public decency and declining moral standards sparked by the new ‘permissive society’ are rendered amusingly absurd.

In recent years, the growth of global conservatism (Brexit, Trump, the rise of the Far Right) seemed to call Edna back to life. 

When Curve, Leicester, staged Orton’s final play, What the Butler Saw, in 2017, I decided to reanimate Edna in a letter to director Nikolai Foster. I knew that Nikolai was familiar with Orton’s alias and would get the joke but didn’t anticipate that he’d share it by tweeting the letter. Edna’s outrage at a ‘depraved drama about sexual irregularity’ - especially intolerable when there’s already ‘enough of that in Holby City!’ - caused a stir on social media. Her reappearance was even reported in The Stage.

Once back, Edna soon found herself busy writing letters again.

To mark the 50th anniversary of Orton’s death in 2017, I teamed up with BAFTA-nominated filmmaker Chris Shepherd to launch a national Edna Welthorpe creative writing competition. Designed to teach students about satire and to encourage the next generation to keep Orton’s playfully subversive spirit alive, the competition debunked the myth that young people are politically disengaged: Tory Prime Minister Theresa May, retail tycoon Sir Philip Green and Waitrose were all lampooned. 

Alongside the competition, Chris and I commissioned new Edna letters from acclaimed actors and TV comedy writers such as Emmy Award winner Alec Baldwin (Saturday Night Live, 30 Rock), Caroline Moran (Raised by Wolves), Arthur Mathews (Father Ted, Toast of London), Jesse Armstrong (The Think of It, Peep Show) and David Quantick (Veep, The Fast Show). As the project grew, it was amazing to see how far Orton’s influence reaches and the depth of his impact on contemporary culture.  

With the aid of a Grant for the Arts from Arts Council England, Chris and I also made an animation inspired by the original Edna Welthorpe letters. The film, in which the wonderful actress Alison Steadman plays Edna, has been screened at Latitude festival; The Little Theatre, Leicester; Encounters Short Film Festival, Bristol; the London International Film Festival, Barbican; the British Animation Awards, London; the Short Film Festival, Institute of Contemporary Arts, London; the LGBT Feedback Festival, Toronto - billed as ‘a showcase of the best LGBT shorts in the world’; on the BBC Arts webpage and on Criterion TV in the USA. It’s tantalising to ponder what Edna might say to Donald Trump.

The film and new Edna letters can be found on a website that includes a creative writing worksheet showing how anger at social injustice can be channelled into humour and offers satire as an alternative to hate speech: www.ednawelthorpe.co.uk.

The website won a Saboteur Award in 2018 (Wildcard category). What more appropriate award could there be for a project that honours Joe Orton, a prankster and provocateur who gleefully sought to demolish repressive social norms and hierarchies?

As Alec Baldwin, channelling Edna, commented on news of the Saboteur Award via Twitter: ‘Jolly good!’