Pam Thompson is a writer, educator and reviewer based in Leicester. She has been widely published in magazines including Atrium, Butcher’s Dog, Finished Creatures,The Alchemy Spoon, The High Window, Ink, Sweat & Tears, The North, The Rialto, Magma and Mslexia. Pam’s last collection, Strange Fashion, was published by Pindrop Press in 2017. A pamphlet, Sub/urban Legends has just been published Paper Swans Press (March 2025). Pam is a Hawthornden Fellow.
About Sub/urban Legends, by Pam Thompson
These poems cross and re-cross boundaries between the real and surreal and take imaginative leaps in form and subject matter. The New York School poets are presiding spirits and Eduard Munch puts in an appearance in a Welsh town. The poems don’t shy away from the darker side of life: loss, grief, mental illness, but there is joy and exuberance and hope.
These poems cross and re-cross boundaries between the real and surreal and take imaginative leaps in form and subject matter. The New York School poets are presiding spirits and Eduard Munch puts in an appearance in a Welsh town. The poems don’t shy away from the darker side of life: loss, grief, mental illness, but there is joy and exuberance and hope.
You can read more about Sub/urban Legends on the publisher's website here. Below, you can read two poems from the collection.
From Sub/urban Legends
In New York City with my daughter
Outside the Whitney, a man sells red roses.
Mother’s Day. Inside, Berdie, Larry Rivers’ mother-in-law
is naked, twice. Every wrinkle and fold. After she died
O’Hara wrote, ‘Berdie, Berdie, where are you
and why?’ Schuyler loved her too.
On Brooklyn Bridge a cyclist shouts at a woman
who has wandered across his lane.
I turn to catch the views Georgia painted, read messages
on love-locks chained to the rails, ‘I love you
Jay, Carina, Kim.’ Black heart drawn with a Sharpie.
Times Square—two living-statues of Liberty,
bickering through green rubber masks. Rap
boys pull out stooges from Asia, Australia, the UK—
all brag and swagger, leap over them. Our cameras
OD on light—we lose our bearings, just by looking up.
The Glass Strawberry
My friend sent his boyfriend a single rose for Valentine’s Day.
It arrived with its head cut off. His boyfriend bought
him three cacti and put them on a fold-up table
which collapsed which is bizarre because it reminds me
of my daughter’s early Christmas present: three small cacti,
packed flat and posted, wearing woolly hats and scarves.
My cacti lean together in the kitchen window.
My friend sends people care-packages when they’re ill.
I told him I’d read about ‘strawberries,’ little treats
we should give ourselves when we’re sad, sitting in the sun,
or stroking a cat, to boost our endorphins.
A homeless man he worked with called them ‘dolphins.’
My friend sent me a glass strawberry that’s cool
and slightly spiky. I like to hold it but the glass heart
with severed arteries stays in its red satin box.
We have both been in the desert for ages
but our cacti have pink flowers, are taller than us
and hold out their arms. And the dolphins leap and leap.
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