Showing posts with label war. Show all posts
Showing posts with label war. Show all posts

Friday, 22 May 2026

Jerry Gabriel, "Deserters"



Jerry Gabriel's first novel, Deserters, was published in May 2026 (Acre Books). He is the author of two collections of stories, The Let Go (Queen's Ferry Press, 2015) and Drowned Boy (Sarabande, 2010), which won the Mary McCarthy Prize in Short Fiction, was a Barnes and Noble "Discover Great New Writers" pick, and was awarded the 2011 Towson Prize for Literature. His stories have appeared in One Story, Epoch, Fiction, The Missouri Review, and Alaska Quarterly Review, among other publications. He has received grants and fellowships from the New York Foundation for the Arts (2004), the Bread Loaf Writers' Conference (2011), and the National Endowment for the Arts (2016). He lives in Maryland with his family and teaches writing at St. Mary’s College of Maryland.




About Deserters, by Jerry Gabriel
A clerical error has placed Robert Riley’s name on a list of men who have committed a particularly abhorrent form of desertion from the Union Army: bounty jumping. President Lincoln has said that such men—those who have cheated the system by accepting signing bonuses, or "bounties," for multiple enlistments—should be hanged.

It is fall 1864, and Riley has in fact deserted, though just the ordinary way, and is in flight toward the territories, having collected his two sons from their homestead in Southern Ohio, as well as an orphaned girl he met on his way across the Appalachians. As the four move across the lower Midwest, they are pursued by a surly private detective who seeks the reward for bringing Riley in. With the man eventually on their heels, they are forced to divert by train into Chicago, where Riley knows a place to hide. And it is here, in this cold and dangerous metropolis, in the weeks leading up to the 1864 election, that things begin to unravel for the party.

You can read more about Deserters on the publisher's website here. Below, you can read an excerpt from the novel. 


From Deserters

From Chapter 3

Robert Riley woke in a panic, blood drumming in his ears and throat. He saw Abigail holding infant Michael, shushing him to sleep. Abigail, he thought. And then: Michael.

He rose to his sweaty elbows, gripped by an urgency. Outside, the swampy August din of the Tidewater: deafening crickets and a dozen kinds of frogs. At least three of the men in the tent snored loudly.

He dressed and quietly gathered his bedroll and knapsack. Marcus Trask stirred from the rustling and opened an eye, catching Robert’s own for a beat, neither judgment nor envy fully in his gaze, but possibly some blend of those things. Robert shrugged back his own complicated feelings—he had eighteen months ahead of him still and knew the risk. He slipped out into the muggy night.

It was foggy and moonless. There was no trouble getting past the watch. Rarely did a runner get chased these days, anyway. He pointed himself far to the east of Richmond, the big Rebel guns blasting away miles behind him, ineffectual but for the disruption of sleep. He made a wide arc around the city, reversing the trip south months before, when, even before the arrival of the letters, the ill-feeling had first crept in and darkened his usually imperturbable mood. This hadn’t gone unnoticed.

"She ain’t paying the neighbors any visits, like in your head," one man joked at chow.

Robert barely knew him, and though he offered an inscrutable smile, he weighed whether or not braining the man would be worth the punishment. His fellow soldier, of course, could not know how freighted the reference to Robert’s dead wife was. But that’s why you didn’t speak of such things to strangers.

As they had inched south that summer, the hardship of the war and all its uncertainty was abetted by the sweltering days and the close nights. On the march, it had in fact been less Abigail on his mind than the boys. With time to think, he worried about them, and particularly about their future.

In moments of honesty, he admitted that Sean had already slipped his grasp. Even before Robert had joined the fight in February of ’63, the conflict between them had come out into the open. It was in part his own fault, he knew, for taking too severe an approach. But Sean’s zeal, his righteousness, had a hand, too. Sean already considered himself beyond Hollis—he was, he thought, a scientist—yet he was still a boy, making a boy’s many mistakes. Even so, with Sean, Robert at least understood the contours. 


Wednesday, 28 May 2025

Matthew James Jones, "Predators, Reapers and Deadlier Creatures"



Matthew James Jones is a poet, novelist, storyteller and veteran who wrote the best-selling novel Predators, Reapers and Deadlier Creatures. Today, Matt writes and teaches in Paris: Leadership at the École Militaire and Creative Writing at SciencesPo. His many published works interrogate themes of dehumanization, poetics, monsters, masculinity, cross-cultural exchange, and healing. He also co-hosts the by-donation Write Time workshop, and organizes fitness enthusiasts who use trees as barbells: the Log Club. 




About Predators, Reapers and Deadlier Creatures, by Matthew James Jones
Predators, Reapers, and Deadlier Creatures tracks Jones, a drone operator stationed in Kandahar, Afghanistan, 2010. As he monitors Sahar, a teenager and suspected terrorist, Jones commits the ultimate crime: he cares. 

Jones’s supervisor is similarly stained, a fierce soldier who champions Afghan women. By day, Jones and the Major track Taliban down the cratered highways. By night, they wish their love had never hurt so many. 

Beneath the base, Jones befriends Noah who, despite his cruel fangs and horrifying strength, is the only gentle creature in the entire desert. As Jones contends with a brutal predator stalking soldiers, Noah’s bids for freedom grow desperate, and the fighting season renews with a fresh crop of Taliban. 

In Kandahar, there’s a monster in every window. And there’s also one in every mirror. As the war grinds him to ever-finer particles, Jones grapples with the toll—madness, craters, grief.


From Predators, Reapers and Deadlier Creatures

Predator

I was so used to looking through them, but never at them. On the other side of a fence, the drone idled on the tarmac in front of a bunker. It stood as tall as I did. Shark-like, with two pectoral fins that extended from its sides like a traditional plane. Yet the stabilizing fins at the tail pointed down in an inverse "V." Grey. Grey with white patches: a camouflage of cloud. The most disconcerting thing was its eyelessness. Easy to imagine planes with cockpits and windows and WWII pilots mummified in looping scarves. Not these flying robots, piloted by science and logic. The drone seemed to have a face, but without eyes, it was blank, expressionless. Instead, it "saw" through hypersensitive nodes on the back of its neck, and chin. Drones have no agency; they obey the voices in their heads, clutching close their clusters of bombs: four in each armpit. This type of drone was the Predator, little brother of Reaper. I met its unblinking gaze for a moment. Truly it was a predator, as unfeeling as they wanted us to be. Its job was to hide in clouds or the glare of the sun. To lurk behind bunkers with a Taser. When Predator was a child he was never invited to picnics. His hands were full of missiles that he thought were flowers. He was a strange boy, too quiet. Always muttering to himself and wanting to be older so his bombs would drop. Always rubbing his node on the legs of teachers. No one wants to be your friend, Predator. The only thing you know how to do is assassinate people. You think, because you’re unmanned, you can cross borders and kill in other lands, and no one will think that is war. You’re on the wrong side of history. You could be so noble, flying into radioactive areas, dumping water on thirsty crops, detonating yourself in the eyes of sharknados. But you were seized early, by powerful men, and made a weapon, same as the rest of us.