Showing posts with label Megan Taylor. Show all posts
Showing posts with label Megan Taylor. Show all posts

Sunday, 8 September 2024

Megan Taylor, "The Therapist's Daughter"

 


Megan Taylor is the author of five dark novels, most recently, The Therapist’s Daughter, an eerie psychological thriller, released from Bloodhound Books in September 2024, and We Wait, her take on a traditional haunted house mystery. Megan’s short stories can be found in her collection, The Woman Under the Ground, and in many other places, including Weird Horror Magazine and GONE: An Anthology of Crime Stories. For more information, please visit her website here



About The Therapist’s Daughter, by Megan Taylor

Forgetting is difficult but remembering might be worse …

Caitlin Shaw fled Underton fifteen years ago when her girlfriend was accused of murder, but concerned for her mother’s health, she’s forced to return to the village and face the secrets she thought she’d left behind. As her family starts to unravel, Caitlin’s soon questioning the truth about the tragedy and her girlfriend’s guilt. But if her first love was innocent, could the killer still be out there, watching and waiting, far too close to home?


From The Therapist's Daughter

“Enough,” Jill muttered. “For Christ’s sake, stop.”

She refused to put up with the racket from her daughter’s room any longer. The ceiling was quivering, the whole house bristling, and with her head feeling just as invaded, she stalked out into the hall. But she’d barely mounted the stairs when the girls’ infuriating whoops and laughter erupted into screams.

The noise was dazzling. It sheared the air like knives and Jill’s first instinct was to cover her face. Instead, she broke into a run.

But though she flew up the steps two at a time, as soon as she hit the landing, everything apart from the screaming slowed to a sludgy dreamlike pace. The wallpaper’s roses tumbled lazily past, the deep pile carpet tugged at her heels, and even when she made it, panting, to Caitlin’s door, she felt like she wasn’t keeping up, as if she’d left herself behind. 

Another Jill remained holed up in the living room, still jabbing at the stereo and knocking back her Chardonnay, and still cursing Richard – bloody Richard – for abandoning her. He should have been home hours ago.

Except what was she thinking? Caitlin was behind that door, part of those screams, and coming abruptly awake, Jill grasped hold of the handle and plunged inside, and the darkness was nearly as shocking as the sound. She longed to back away.


Wednesday, 12 June 2024

Megan Taylor, "We Wait"

 


Megan Taylor is the author of four dark novels, How We Were Lost, The Dawning, The Lives of Ghosts and We Wait, a haunted house horror. She has also had many short stories published, some of which are included in her collection, The Woman Under the Ground. Her next novel, a psychological thriller, The Therapist’s Daughter, is due out from Bloodhound Books in September 2024 and she’s working towards a second short story collection. Megan lives in Nottingham. She has been running fiction workshops and courses for over ten years. For more information, please visit her website here



About We Wait, by Megan Taylor
The wealthy Crawleys can’t abide a scandal, so when fifteen-year-old Maddie’s behaviour causes concern, she’s packed off to the family’s country estate, along with her best friend, Ellie. But while Maddie is resentful, Ellie is secretly thrilled. A whole summer at Greywater House, which she’s heard so much about, and with Maddie, who she adores …

But from the moment the girls arrive, it’s clear there’s more to the house and the family than Ellie could ever have imagined. Maddie’s aunt, Natalie, and her bedridden grandmother are far from welcoming – and something has been waiting at Greywaters, something that flits among the shadows and whispers in the night.

As the July heat rises and the girls’ relationship intensifies, the house’s ghosts can’t be contained and it isn’t just Ellie who has reason to be afraid. Three generations of the Crawley family must face their secrets when past and present violently collide.

You can read more about We Wait here. Below, you can read an excerpt from the novel. 


From We Wait
The woods were crowding so close when Ellie woke that, at first, she thought she’d dreamt her way right through to dusk. Before she’d allowed her eyes to shut, they’d been driving past white-walled villages and golden fields, the lazy spin of wind turbines on a hazy hill. Now there was nothing beyond the car but trees. They made a tunnel of the road, reaching out with fringed branches to brush the roof and overpowering the Beetle’s air conditioning with their rich, sweet breath. Ellie remembered Maddie mentioning the woods around Greywaters. Maybe they were nearly there? But there was no sign of a house, just those stretching limbs, the endless leaves …

All that green was dizzying; Ellie rubbed a sweaty hand across her face. Her head was still thick with sleep, her body aching, her shoulders stiff from holding herself apart from Maddie, who was sitting in the cramped back seat beside her.

Maddie didn’t return her gaze. She remained bowed over Ellie’s phone, half-hidden by her hair, a perfectly straightened auburn wing. She’d been that way for hours, ignoring everything but the mobile, which she’d grabbed from Ellie as soon as she climbed into the car. In the driver’s seat, Maddie’s mother continued to fume. 

Ellie could see Sara’s narrowed eyes in the rear-view mirror, and her mouth, sucked tight. But though she’d chewed off most of her lipstick, Sara hadn’t exploded yet. Perhaps she’d given up? It had been almost a month since she’d confiscated Maddie’s phone. 

Briefly, Ellie considered exploding for her, snatching the mobile from her best friend’s fingers, yanking the window open and hurling it out. Instead, she leant towards Sara, trying to think of something harmless to say, and that’s when she saw the girl.

A girl standing in front of them, in the centre of the road. 

Standing very still, as if stunned or waiting, framed by the green, the trees, like a girl in a picture.

A moment ago, the road had been clear. The girl must have come scrambling out of the woods, though the verges looked impenetrable, the trees bound with nettles, their thick branches entwining. The bright July sky reduced to a scattering of stained-glass pieces overhead.

Caught in the canopy’s shade, the girl didn’t appear to be crossing. She wasn’t moving at all.