Showing posts with label Alexandros Plasatis. Show all posts
Showing posts with label Alexandros Plasatis. Show all posts

Wednesday, 2 November 2022

Alexandros Plasatis (ed.) et al, "the other side of hope: journeys in refugee and immigrant literature," vol.2



the other side of hope: journeys in refugee and immigrant literature is a UK-based literary magazine edited by refugees and immigrants. Established in 2021, we exist to serve and celebrate the refugee and immigrant communities worldwide. We publish one print issue and one online issue per year. 

You can read about the first print issue of the other side of hope on Creative Writing at Leicester here. The second print issue has now been published and is available to buy through the magazine's website hereCopies can be borrowed from Public Libraries across the UK and are also available in many independent bookshops. The second print issue is foreworded by patrons A. M. Dassu and Lord Alf Dubs, and features refugee and immigrant writers from around the world. 

"To refer to the other side of hope simply as 'a literary magazine' feels like an injustice. It is a beautiful, complex and painful collection of short stories, non-fiction and poems written and edited by refugees and immigrants ... It constitutes a tool for building empathy, for generating understanding, and an avenue through which to become immersed in the lives of refugees and immigrants for a brief, yet emotive period of time ... You have no choice but to remove your blinkers and disassemble your barriers, blinking in the glaring light of inhumanity, yet reassured that there is enough humanity within us and between us to sustain each other, if we were willing to reach across arbitrary divides ... This literature invites us to deconstruct the categories of 'alien,' 'immigrant,' 'refugee' and 'other,' in order to simply recognise the humanity, the beauty, and the struggle in all of us, regardless of country of origin or means of arrival" - The Norwich Radical.

The second issue includes:

artwork by Dmitry Borshch, a political refugee from the USSR to the US in 1989, and, since February of this year, a refugee again, fleeing the war from Dnipropetrovsk to New York. 

fiction by Victoria Buitron who hails from Ecuador and resides in Connecticut; H. T. Brickner, originally from China, who lives in Minnesota; Kasia Kokowska, an immigrant from Poland living in Scotland; Farha Mukri, born in Mumbai, residing in Chicago; Barlow Crassmont, a former refugee from Bosnia who lives in the United States.

poetry by Lester Gómez Medina, born in Nicaragua, raised in Costa Rica, settled in London; Art and Writing Hearth at Islington Centre for Refugees and Migrants; Tatiana Dolgushina, a Soviet refugee, raised in South America before immigrating to the United States; Nuha Fariha, a first-generation Bangladeshi American; Mahima Kaur, a Londoner from India; Asiye Betül, a refugee from Turkey residing in Glasgow; Lina Fadel, a Syrian who has made Edinburgh home; Nashwa Nasreldin, an Egyptian who was born in Kuwait and lives in England; Elias Udo-Ochi, born in Nigeria, residing in Accra; Monica Clarke, a South African refugee who was granted asylum in the UK; Zad El Bacha, a migrant from Lebanon via Italy; Yaz Nin, born in Kibris, raised in Tottenham.

non-fiction by Zoë Blaylock, an Italian-born immigrant to the United States; Ali Motamedi from Iran who lives in New York City; Yin F Lim, a Malaysian-born who lives in the UK; Tamara Haque, Bangladeshi by birth, with roots in Saudi Arabia, Malaysia and Australia.

book review by Angus W. McGregor, citizen of the United States, making Japan his new home.

Our second issue was made possible with National Lottery funding through Arts Council England. 


About the editorial team of the other side of hope



Founder & Lead Editor Alexandros Plasatis is an immigrant who writes fiction in English, his second language. His first book, Made by Sea and Wood, in Darkness: A Novel in Stories (Spuyten Duyvil, 2021), was shortlisted for the Edge Hill Prize. Stories from this book have been nominated for the Pushcart Prize and Best of The Net. His work has been published in US, UK, Indian and Canadian magazines and anthologies. He has a PhD in ethnography-based Creative Writing, lives in Leicester, and works with displaced and homeless people. His website is here



Fiction Editor Rubina Bala was born in Albania just after the fall of the country’s Communist regime and grew up through a chaotic political scene that has shaped her passion for writing and ensuring the right stories are told. She then immigrated to the UK where she completed a first class degree in Creative Writing and Journalism. Since then she has worked as an interpreter for asylum seekers as well as participating in writing projects in marginalised communities.



Poetry Editor Malka Al-Haddad lives in the UK for ten years, having previously taught Arabic literary criticism at Kufa University in Iraq. Her poetry collection, Birds Without Sky: Poems from Exile (Harriman House), was longlisted for the Leicester Book of the Year award 2018. Malka has an MA in Politics of Conflict and Violence from the University of Leicester. A defender of human rights, member of the Iraqi and American reconciliation project and Leicester Civil Rights Movement, Malka has performed her poems at the UK Parliament and at The Southbank Centre, London. Her poetry captures the history and culture of her homeland and is a memoir of her journey into exile and the welcome she found in Britain.



Non-fiction Editor Maria Rovisco is Associate Professor in Sociology at the School of Sociology and Social Policy at the University of Leeds, UK. She has research interests in cosmopolitanism, new activisms, citizenship, migrant and refugee arts, and visual culture. Among her recent publications is Taking the Square: Mediated Dissent and Occupations of Public Space (2016). She is currently writing a book on cosmopolitanism, art and the political imagination, and co-editing a book on visual politics in the Global South.



Reviews & Interviews Editor Amir Darwish is a British Syrian poet & writer of Kurdish origin who lives in London. Born in Aleppo, he came to Britain as an asylum seeker in 2003. He has a BA in History from Teesside University, an MA in International Relations of the Middle East from Durham University, and an MA in Creative and Life Writing from Goldsmiths University. As a poet he published his work in the UK, USA, Pakistan, India, Finland, Turkey, Canada, Singapore & Mexico. His work was translated into Arabic, Bengali, Estonian, Finnish, Italian, Spanish and Turkish, amongst other languages. Amir is currently a PhD student at the University of Northampton. Twitter: @darwish_amir



Design & Art Director Olivier Llouquet is a French visual ethnographer, designer and filmmaker, based in Nottingham. He studied in Freie Universität Berlin and conducted a year-long ethnographic research in Leicester, engaging with refugees and asylum seekers through creative projects and filmmaking. 



Video Editor Parang Khezri is a Kurdish Iranian filmmaker educated to postgraduate level in film. She has lived in the UK for the past ten years. Parang became interested in film as a young girl in Iran, where she viewed film as the only place where one could truly experience freedom and where anything could be possible. Parang loves the freedom of making film and allowing her imagination to fly untethered through cinema, and is interested in surrealism, psychology, and feminism.



Social Media Manager Judy Qeis is a Syrian of Palestinian origin, who moved to England with her family at the age of 13. Having lived in a country captivated by tyranny, she hopes to make a shift in people’s perspectives about such regimes and trigger some action towards freedom of speech through studying journalism.



Communications Manager Elahe Ziai came to the UK in 2014, and after completing her BA in Education and Social Services, she was employed by Scottish Refugee Council as a caseworker for four years where the majority of her clients were newly granted refugees. Currently she works at IMIX as their community outreach officer and tries to empower people with lived experience of seeking sanctuary, to share their positive stories in the media.

A. M. Dassu and Lord Alf Dubs are patrons of the project; Sepideh Moafi is our ambassador.

You can visit our website for more information on the project here. Below, you can read a sample poem from the second print issue.  


me and my family get lost in the ikea showrooms 
 
we visit the colourful rooms, the built-in kitchens
and the shiny wood garden loungers. we look at
the graphics of children sitting around the dining table.
blonde kids waiting to eat their lasagne. blonde kids
with their parents' arms around their bodies. happy 
blonde kids. my mother likes to look at furniture,
she says oh look how comfortable those beds look,
it would be a joy to sleep on them, look at that bookshelf! 
we can finally fit all our books in one place.  my mother never 
got to build a house of her own. it’s been with her 
since bridehood; the urge to make a home. walking through 
the showrooms, i do not know how to tell my mother that
she’s given birth to empty homes
begging to be occupied with love. 

ikea is western, big and blue. it is too big for a refugee
to grasp. when you’ve lived running from land.
it is the colour of large borders, that keep 
the people out, and the furniture in. 

me and my family are afraid of colourful rooms.
we’re afraid of shiny wood, of large dining tables 
that would fit us all. we’ll never buy a comfortable bed, 
nor a bookshelf to fit our books. not because 
we can’t afford it, but rather 
because of the fear of finding out whether
or not lasagne on the table can make a happy kid. 
me and my family are afraid of each other, 
we cannot bear to know that we could
make a home, and still be missing.

 - Asiye Betül

Wednesday, 27 October 2021

Alexandros Plasatis (ed.), et al, "the other side of hope"

By Alexandros Plasatis



the other side of hope is a UK-based literary magazine edited by refugees and immigrants. We publish fiction and poetry by immigrants and refugees, and non-fiction, book reviews, and author interviews by anyone as long as the subject matter sheds light on migration.

We do not charge submission fees and we pay our contributors. For our first print issue we offered £100 per contributor, and for our forthcoming online issue we offered £50 per contributor. For writers who are seeking asylum and have no bank accounts, we offered the same amount as a gift card. 

Our first print issue has now been published, and features refugee and immigrant writers from around the world. The reader of the magazine will find prose and poetry about our hopes, dreams, fears, realities, nostalgia, trauma, about our accents, our laughter, and what home truly means. The cover image is an original artwork by George Sfougaras. Our first print issue includes: 

  • Fiction by Qin Sun Stubis, a Chinese immigrant living in Washington DC, Radhika Maira Tabrez, whose home is split between Delhi, Dhaka and Penang, Marina Antropow Cramer, born in Germany, the child of Russian refugees from the Soviet Union, who emigrated with her family to the United States, Madalena Daleziou, a Greek writer living in Glasgow, J.B. Polk, Polish by birth, a citizen of world by choice, and Musembi Wa’ Ndaita, a Kenyan writer based in Philadelphia.
  • Poetry by Atar Hadari, an immigrant, Bingh, a refugee from Vietnam who lives in the US, Kimia Etemadi, who moved from Iran to England as a baby with her mother, who fled political persecution, Amer Raawan, a Syrian refugee who lives in London, Middle Eastern Women’s Friendship Group, a group of refugee women writers who live in Edinburgh, Alberto Quero, who fled Venezuela and now lives in Canada, Flower, who arrived in the UK from Africa and was held at Yarl’s Wood detention centre, and Bänoo Zan, an Iranian immigrant who lives in Canada.
  • Non-fiction by Dan Alex, who arrived in the UK from Eastern Europe, Murzban F. Shroff, who lives in India, Jhon Sánchez, a Colombian-born writer who arrived in New York seeking political asylum, and Sahra Mohamed, a Somalian immigrant who lives in London.
  • Book reviews by Lucy Popescu and Kathryn Aldridge-Morris.

The magazine can be ordered from the website here

Our first print and forthcoming online issues were made possible with National Lottery funding through Arts Council England. We are thankful for the financial support from ArtReach, and the continuous support from Journeys Festival International, the annual refugee arts festival taking place in Leicester, Manchester and Portsmouth. We are grateful for the support of our patrons, A. M. Dassu and Lord Alf Dubs.

We hope that people will get a copy of the magazine and that they will enjoy reading it. For those who can’t afford to buy it, we will publish an online issue that will be free to read on our website, and will feature different immigrant and refugee writers from around the world.  


About the editors


Founding & Lead Editor Alexandros Plasatis is an immigrant who writes fiction in English, his second language. His first book, Made by Sea and Wood, in Darkness: A Novel in Stories (Spuyten Duyvil, 2021), is shortlisted for the Edge Hill Prize. Stories from this book have been nominated for the Pushcart Prize and Best of The Net. His work has been published in US, UK, Indian and Canadian magazines and anthologies. He has a PhD in ethnography-based Creative Writing, lives in Bolton, and works with displaced and homeless people. www.alexandrosplasatis.com.


Fiction Editor Hansa Dasgupta is an Indian writer. She has authored Letters to my Baby, The World Beyond and After the Storm. Her short stories, articles and chapters have been published online as well as in various journals, anthologies, books and magazines in India, UK and in the States. Some of her short stories, short films, short scripts, and feature length screenplays have been shortlisted, nominated and won awards over the years, including nomination for the Culture and Heritage Award.


Poetry Editor Malka Al-Haddad is an Iraqi activist, academic and poet. She has a Masters degree in Arabic Literature from Kufa University in Iraq. She is currently undertaking an MA in the Politics of Conflict and Violence at the University of Leicester. Her debut poetry collection, Birds Without Sky: Poems from Exile (Harriman House Ltd, 2018), was longlisted for the Leicester Book of the Year award in 2018. 


Non-Fiction Editor Maria Rovisco is Associate Professor in Sociology at the School of Sociology and Social Policy at the University of Leeds, UK. She has research interests in cosmopolitanism, new activisms, citizenship, migrant and refugee arts, and visual culture. Among her recent publications is Taking the Square: Mediated Dissent and Occupations of Public Space (2016). She is currently writing a book on cosmopolitanism, art and the political imagination, and co-editing a book on visual politics in the Global South.


Interviews and Reviews Editor Rubina Bala was born in Albania just after the fall of the country’s Communist regime and grew up through a chaotic political scene that has shaped her passion for writing and ensuring the right stories are told. She then immigrated to the UK where she completed a first-class degree in Creative Writing and Journalism. Since then she has worked as an interpreter for asylum seekers as well as participating in writing projects in marginalised communities.


Design & Art Director Olivier Llouquet is a French visual ethnographer, designer and filmmaker, based in Nottingham. He studied in Freie Universität Berlin and conducted a year-long ethnographic research in Leicester, engaging with refugees and asylum seekers through creative projects and filmmaking.


From the other side of hope, issue 1

To the Editors*  
By Bänoo Zan

If my poem glorifies Islam
you accept it—
but if it critiques my fellow Muslims
you reject it

If it invites sympathy for the displaced 
you publish it—
but if it exposes violence in immigrant communities 
you reject it

If it denounces a Western politician 
you feature it—
but if it denounces the dictator in my home country
you reject it

In your pages
My religion is perfect
My community is perfect
My country is perfect

You exercise 
self-critique—the authentic critique—
but deny me the same right 

No one is healed
by claiming they are healthy 
and have the lie taken for truth

No community is perfect—
neither yours nor mine—

I wonder how long it will take
for my people to question our ways—
to stop murdering, torturing, raping ourselves—
to stop oppressing ourselves—
to stop our unending exodus 
to your part of the word—

only to be told
we cannot criticize ourselves

Meanwhile, dictators
sincerely thank you
for your support 


*Note: many North American and Western literary magazines have disclaimers to the following effect on their submission pages: ‘We do not publish work that includes racism, bigotry, misogyny, homophobia, transphobia, Islamophobia, xenophobia, anti-Semitism, ableism, etc.’ 

Monday, 10 May 2021

Invitation to a Joint Book Launch!



You are cordially invited to the book launch on Tuesday 11 May 2021, 7-8pm, for Hannah Stevens and Alexandros Plasatis. The event is free and open to all.

Hannah Stevens took her PhD in Creative Writing at Leicester University, and also taught undergraduates at the university. She will be launching her book of short stories, In Their Absence (Roman Books, 2021). The book includes stories first written during her PhD, and is published by Roman Books as part of their series Stretto Fiction, edited by Jonathan Taylor. You can see more details about Hannah's work and In Their Absence on Creative Writing at Leicester here, and you can read a review of the book on Everybody's Reviewing here

Alexandros Plasatis worked in the David Wilson Library at the University of Leicester. He will be launching his novel-in-stories, Made by Sea and Wood, in Darkness (Spuyten Duyvil, 2021), which was also first drafted during his PhD in Creative Writing, at De Montfort University. You can read more about Alex's work and Made by Sea and Wood, in Darkness on Creative Writing at Leicester here, and you can read a review of the book on Everybody's Reviewing here.

The book launch will take place via Zoom and hosted by Jonathan Taylor. Further details and tickets are available here. We look forward to seeing you there!


Friday, 5 February 2021

Alexandros Plasatis, "Made by Sea and Wood, in Darkness"



Alexandros Plasatis is an immigrant who writes fiction in English, his second language. He lives in the UK and works with the displaced and the homeless. Made by Sea and Wood, in Darkness is his first book. His website is here.



About Made by Sea and Wood, in Darkness

By Alexandros Plasatis

Made by Sea and Wood, in Darkness takes place in and around a 24/7 harbourside café in a Greek town. It tells the story of the Egyptian immigrants who work as fishermen on the trawlers and other outcasts who hang around the café and the harbour. Each chapter is a stand-alone short story and each story is a step further into the darkness and light of a novel where the Egyptian fishermen, the beggars, the café’s servers, the prostitutes and the downtrodden homosexuals become the grotty heroes of the everyday.

Stories from this book have been nominated for the Pushcart Prize and Best of The Net, and over the years all the stories were published in US, UK, Indian and Canadian magazines and anthologies. 

The book is based on participant observation. That is, for years I was a parasite lurking around the harbour at night, wanting to be with those who were unwanted, working at a harbour café. What I saw and felt I turned into this book. And whether their world is filled with wholesome pride and magic or is nothing but an itchy little scab, that’s for you to decide. 

You can find more information about the book on the publisher's website here


From Made by Sea and Wood, in Darkness

She knew them from Café Papaya, the harbour-side café where all the Egyptian immigrants who worked on the caïques liked to spend their mornings, smoking and drinking the coffee Angie made for them, now and then telling her stories in their heavy accents: they were simple stories about the sea and the fish, told slowly, in a few, tired words, and even on the rare occasion they spoke of the Aegean’s black squalls and night-fogs, their eyes remained passive. But in the evenings, those who stayed ashore liked to smoke hashish and go to the café to drink beer and ouzo, and their tales were confusing, dreamlike. Then Angie would see their eyes glisten strangely and she would listen, and listen again as they told her of their fishing village that stands where the Nile becomes the sea, a village with a thousand wooden caïques, marked with symbols and painted with large female eyes with long eyelashes or the eyes of eagles. With beer and hashish inside them, their ramblings rattled of the caïques of Ezbit El Burg, so many that even the great river that used to be a God wasn’t wide enough for them. And as night fell on the harbour of Kavala, their money spent, their beer bottles empty on the table, the drunk ones had nothing but threads of memories to hang on to, and they would call out the name of Allah and their hard faces would soften with sweet hope: then the waitress knew that the time had come for them to murmur their caïque-dreams and remember old sea-voyages to Falasteen, and down and beyond the Red Sea, when they first saw the shores of Sudan and Habasha, of Yaman, of Djibouti and Alsomal. The young girl listened to their stories with large, impressionable eyes, she listened and learnt. And it was in one of those waitressing nights that Angie had asked if she could join them on a voyage, to live one of their stories.


Monday, 13 March 2017

With the Refugees: Leicester Refugees Meet MA Creative Writers


By Alexandros Plasatis






They were having their free meal at City of Sanctuary as they always do on Wednesdays. I was going from table to table to remind them about our creative writing workshop. Some were playing ping-pong, one was having a head massage, they were chatting, asking where they can go to learn English, in one corner others were picking up donated clothes and cans of beans or just staring. There were about eighty people there, in the refugee centre, and I was asked to go along to the workshop with ten. Up at the University of Leicester, MA students were waiting for us.

‘You coming for the writing workshop today, Mohammed?’



‘What writing, my teacher?’


‘At the uni, my good child…’

‘Ah, at the uni… My teacher, you look like Mr Bean.’


‘I know. After the workshop we’re going for a meal out in a real restaurant.’


‘OK, I coming.’


I moved to the next table, explained what the workshop was about. ‘…and then after the restaurant we are going to see teacher Jess. She runs a poetry thing called “Find the Right Words.”’ I moved to another table, explained, told them that it was going to be a long but fun day out, and they took the piss because I got too stressed, and we laughed. And with Maggie, a tireless volunteer at City of Sanctuary, we gathered fifteen refugees and asylum seekers, and started to make our way up New Walk. On the way to the uni, three guys were telling me how they made their way from their far away countries to the UK. 


 ‘I came in the back of a lorry, in the fridge.’


 ‘What cargo was in the fridge?’


 ‘Meat.’


 ‘My lorry was a chocolate fridge.’


 ‘Ah now that’s nice … How many of you were in the fridge?’


 ‘Twenty-five. Sometimes we had to stay inside for a whole day.’


 ‘Sorry to ask this, but I always wondered, when you wanted to go to the toilet, what did you do?’


 ‘We had a Coca-Cola bottle. We passed it around.’ 


 ‘And if you wanted to do the other thing?’


 ‘You don’t do the other thing.’


 ‘My lorry wasn’t a fridge. It was open. It carried logs.’


 We reached the university building, Maurice Shock. Corinne Fowler was there, she welcomed us and we made it to the classroom. Ten MA students were ready to deliver a creative writing workshop to the refugees. Sonia and Kassie had already come down to the City of Sanctuary once to get a feeling of the place and meet the refugees. Azra and Lauren had emailed me to ask what type of exercises they should be doing. And I work in the same building with Will. He works in the café and sometimes brings me the leftover sausage rolls:


 ‘Here, Alex, take these six sausage rolls and tell me, we’re thinking of doing this and this and this and this exercise with the refugees. What do you think?’ 


 ‘Oh man that’s very kind of you.’


 ‘You like them?’


 ‘They are lovely. Well, now this exercise sound good… yiam yiam yiam ah oh ah…’


Now, enough with that waffling on. I was asked by Jonathan Taylor to write a piece about my experience of the writing workshop delivered by his MA students. All right, Jonathan, I’ll tell you what I remember. I remember that your students were kind to the refugees; I remember how worried they were to make the refugees feel welcome. They were thoughtful – did you know they brought their own biscuits and crisps and drinks for the refugees? I saw tiredness in their faces, it was the good, sweet type of tiredness, it’s the tiredness that I see in people when they worry and care. Those who led the workshop worried about what the refugees would think of them, they saw them as they really are, equals, humans who, like you and me, can judge. The rest of your students who sat by the refugees helped and cared, they tried to explain what this and that exercise was about, and when the refugees with their poor English didn’t understand, your students didn’t give up, they tried again. And the refugees enjoyed it, they told me so later, they said, ‘We really liked it, Mr Bean, are we going there again?’ 


Job done, back to waffling now. The workshop finished and we left. We had some time to kill until the restaurant. We went to the university library, I showed them around, they found the big old books, they opened them, turned their pages carefully. We had more time to kill. It was raining heavily outside and we went to the library café. Maggie bought us coffee and tea, then we went to see Corinne again, in the Charles Wilson building. She had invited us to her salsa dance class. We danced, even I danced, but we had to go again, and the rain still came down hard. We took the bus to town, another bus to Narborough Road, had our dinner in a Turkish restaurant. We talked and ate, took photos and laughed, and the person who sat next to me, an Afghan bloke, said that this was the best meal he had for years:



‘Thank you, Alex. I feel like I’m with my family.’

‘Don’t thank me, I’m not paying for this.’


‘Who’s paying?’


‘No-one is paying. Get ready to grab your coat. We’re doing a runner.’


‘A runner?’


‘Can you help, Fatima?’


 ‘Which one is Fatima?’


 ‘The pregnant one. I’ll carry Aisha’s baby.’


 ‘No problem.’


 ‘No, actually, I'm joking, it’s Writing East Midlands that pays.’


 ‘Who are they?’


‘They are Aimee and Henderson and Heather and some other people that I don’t know.’


‘Tell them I thank them.’


Did you hear, Aimee, Henderson and Heather and some other people that I don’t know? That Afghan bloke wants to thank you.


We left again, went to the Western Pub, Upstairs at the Western, we saw Jess Green. She was the Lead Writer on the writing project with the refugees and asylum seekers, Write Here: Sanctuary. The place was packed, many people read their stuff, and so did two of our people, two refugees, after crossing country after country hiding for months inside lorries, they stood up there, in a small pub in Leicester, they stood up to read their poetry.


In the links below, you can read some poems and an article by Malka, an asylum seeker from Iraq.

Letter to Santa


I’m Human



Letter to Trump


Everybody’s Reading article








About the writer
Alexandros Plasatis is an ethnographer who writes fiction in English, his second language. In 2014 he was awarded a PhD in Creative Writing. His stories have or are due to appear in Overheard: Stories to Read Aloud, Unthology, Crystal Voices, blÆkk and Total Cant, and his academic article on how to undertake ethnography and turn it into fiction will be published in the next volume of Short Fiction in Theory and Practice. He lives in Leicester and is a volunteer at City of Sanctuary, where he aims to find and develop new creative writing talent within the refugee and asylum seeker community.