Showing posts with label undergraduate. Show all posts
Showing posts with label undergraduate. Show all posts

Friday, 21 October 2022

Sara Waheed, "The Cut of a Feather"

Congratulations to Sara Waheed, winner of this year's John Coleman Prize! Below, you can read about Sara and her winning short story. Congratulations too to Priyan Majumdar, who was awarded an "honourable mention" for her story.



By Sara Waheed

My name is Sara and I’m a second year English with Creative Writing student. Along with writing short stories and poetry, I love to crochet and listen to music. 

My story "The Cut of a Feather" started with the thought of something as innocent as a reed hurting someone’s hand. This led me to think of a place very familiar to me, where you can find an abundance of reeds: Jenny’s Woods in my Lincolnshire hometown (see photo above). My family and I have been going on walks, runs and bike rides in Jenny’s Woods ever since I was young; it’s a very meaningful place to me. Because of this, I decided to set my short story there, and this made the writing process more heartfelt.

I wanted this short story to show how emotional devastation can arise from seemingly insignificant things. Subtle gestures, such as eye contact, physical proximity and word choices can have a deeper impact than more obvious displays of upset. I’m very grateful for this opportunity to share my short story with more people.  


The Cut of a Feather

Whenever Alice brushed her hands against the reeds on this path, they were harmlessly spiky. They had never so much as grazed her. But on this day, the reeds at her palm were sharp; Alice could feel them almost piercing her skin. She resisted the urge to pull her hand away, and instead let the prickling feeling press against her skin like an unwanted kiss.  

Although she could see Declan’s back receding further into the greenness beyond, she stayed put. She was waiting for him to turn around. She wanted him to walk back and ask her what she was doing. She wanted him to pull her hand away from the reeds and hold it for the rest of her life. 

But if she stood there any longer, Declan would walk too far, and Alice would have to foolishly make her way across the slowly-stretching distance. He wouldn’t stop. Alice tore her hand away from the reeds and briskly caught up. His outline became less like watercolour and more like charcoal as she got closer, and his hair was so tousled that it looked strangely at home amongst the overgrown grasses.

“I think you need a haircut,” Alice said as she reached him. Her hand still stung.

He didn’t look at her, even though they were now walking side by side. His gaze was fixed somewhere ahead, despite the path being completely empty.

“Are you offering?” he said after a couple of seconds. 

Alice put a hand to the uneven hairstyle on her head and rustled the jagged ends. Given the circumstances of the impulsive haircut, Declan’s comment was in ill taste. She didn’t honour it with a reply. 

“It would probably be a good idea to get it done before your birthday. It’s coming up soon,” she said instead.

“I’m not sure if three weeks qualifies as soon.”

“I think it does. I’ll book you an appointment with Calla when we get back.”

Declan said nothing. Alice took it as an affirmation, knowing that he didn’t care either way. 

“Have you thought about what you want to do?” she asked.

“What?” he said.

“For your birthday, I mean.” 

They were passing the picnic benches. In the dimness of the grey sky, they looked derelict, but Alice could easily remember the many times her and Declan had sat at them with a flask of soup.

“I don’t really want to do anything,” Declan said.

Alice wanted to stop and sit at one of the benches, but she already knew what he would say. She continued walking.

“We could have dinner at that new place that opened in town. I’ve heard it’s good,” she said.

A particularly strong gust of wind blew past them, and Declan pulled his jacket tighter around himself. Alice knew that his warm coat was hanging behind the kitchen door, but Declan had refused to heed her warning of the weather when they were leaving the house.

“It’s Italian too, I know you’ve been into that recently,” Alice said. She’d never liked the taste of basil but had become well-acquainted with it over the past month.

“I’ve gone off it.” 

His voice was nothing more than a mumble which Alice had to strain her ears to catch. In lieu of a reply, she nodded; her hand was beginning to ache and, whilst she suspected that her palm might be injured in some way, she couldn’t bring herself to take a look.

Instead, she stuffed her hand into her coat pocket and fumbled around for her keys. The only keyring attached to them was one she’d received from Declan a few years ago. It was shaped like a daisy, but the petals were blue instead of white. Alice fidgeted with it so often that the blue had weathered over time. When she pulled the keys out of her pocket, she realised that the petals were now almost completely white, as daisy petals should be. Still holding on to them, she interrupted the quiet.

“Do you want me to get you those headphones you were looking at the other day? I’d like to get you a gift that you really want.”

“I don’t want anything.” He drew his shoulders up in an attempt to lend his red ears some warmth.

“Come on, Declan. Everybody wants something.” 

“Not me,” he said. 

“You don’t want anything?” Alice’s voice sounded shrill. She cleared her throat whilst Declan replied. 

“No,” he said. His lips were turned downwards in a hazardous frown, but Alice persisted.

“Are you telling me that there’s nothing I can give you? Not a single thing?” Clearing her throat hadn’t helped, so she forced a cough instead. It left her mouth with such surprising vigour that she was forced to stop walking. Whilst she spluttered into her sleeve, Declan stood to the side, and Alice wondered when their walks together had started to feel so lonely.

“You can’t give me anything that I want, Alice.”

The tickly cough swiftly retreated; Alice stared at him. He was standing stock-still, but his eyes were darting from tree to tree. When his gaze eventually rested on her, he released a long breath. 

“I don’t think you’ll ever be able to.” 

Alice had wanted Declan to look her way for so long, but not like this. He’d taken a step away from her, and his eyes were tight, as though there was something acrid in the space between them. The fine line that had been flickering between his eyebrows finally settled into place, and Alice knew that they wouldn’t make it to the end of the walk.

“I don’t want you to book me a haircut and I don’t want any gifts from you. I can’t do this anymore. You need to stop.”

Underneath the keyring Alice was still holding, her palm was throbbing. She clenched her fist around the daisy even tighter, until she could feel her pulse beating against it.

“Stop what?” she eventually replied. But he didn’t seem to hear her.

“I thought that you’d start to understand, or you’d see that things have changed. I was waiting, but I can’t keep doing this. If you’re going to keep pretending that this can work, I need to tell you now,” he hesitated and brushed his hair away from his face before continuing, “we stopped working a long time ago.” 

Even though Alice could see the distance between them, it felt as though his words had been spoken directly into her ears. When she opened her mouth to speak, she barely recognised her own voice.

“Why are you saying this now?” Her tongue felt as though it was coated in syrup.

Declan seemed to contemplate her words, squinting at her as though she was more of a vaguely familiar stranger than the girl who had offered him her hand all those years ago.

“I’ve already made plans for my birthday,” he finally told her.

Alice tried and failed to remember why they’d left the house in the first place. All she knew was that she’d been the one to suggest it. Without really looking at him, she took Declan’s hand and placed the daisy keyring into it. She closed his fingers around the white petals, and then she walked away.

Walking in the opposite direction, Alice discovered, wasn’t the same as retracing her steps. She didn’t recognise the trees she was passing, and she didn’t know which diverging paths to follow. The sky was quickly darkening, the greyness above melding with the deep brown tree trunks that were overlooking her mindless walking. The green leaves swinging from the tree’s branches were shrouded in shadow, and Alice was uncertain how long she’d been walking for. She sped up.

It was when she came across a familiar group of felled trees that Alice realised they hadn’t made it very far after all. They had been closer to the start of the walk than the end. The path gradually straightened up, and when beams of light cut through the thicket more frequently, she let her feet trail. When she eventually came to a stop, Alice felt as though she’d never moved at all. 

The reeds in front of her were deceptively sharp. Alice didn’t touch them. She straightened her stiff fingers, exposing her bare palm to the cool air and felt the sting all the way up to her wrist. When she finally looked, she saw a tiny tear in the middle of her palm. The speck of blood had already crusted.


Tuesday, 11 October 2022

Shauna Strathmann, Two Poems

Congratulations to Shauna Strathmann, winner of this year's G. S. Fraser Poetry Prize! Below, you can read about Shauna and her two winning poems. Congratulations too to Sara Waheed, who was awarded an "honourable mention" for her poetry. 



By Shauna Strathmann 

Hi! I'm Shauna, and I'm studying second-year English with Creative Writing. I enjoy language learning, overanalysing low budget children's musical movies, and playing the "I'm foreign" card when I mispronounce an English word, despite living here for 19 years.

The idea for the poem "BE7049" came about when we considered in a seminar how much poetry there is to be found in mundane places, and mundane forms. I've revisited Germany many times since moving away, and therefore seen the airport experience through ever-ageing eyes. I wanted to retain the child-like wonder within the constraints of an itinerary format; no matter how long you wait at baggage claim, keep the romance of the journey within you!

The poem "Kinderszenen" was inspired by my love for Gothic imagery, as well as Mario Benedetti's poem "Luna Congelada," which expresses that "One can sometimes understand love" through difficult "solitude." I related this to the difficulty of recognising yourself as your parents' child even when you couldn't feel more cut off from them. I picked a German title in part to contrast with my other poem; many people have a very complex relationship with where they're from originally, and while it's fun to romanticise some aspects, it's equally interesting to see how home can feel unsafe too.


BE7049
                                                                                                From: 
                                                                                                Birmingham
                                                                                                To: 
                                                                                                Düsseldorf International
                                                                                                Seat: 21D
                                                                                                Boarding Time: 18:00
                                                                                                Arrival: 20:40

20:40          I am home.
                   In the shuffling grumbling herd,
                   Onto the shuttle bus -

20:55          The carousel takes cheetahs;
                   And leopards;
                   And zebras;
                   I chase my precious Rhinozeros in an urban safari

21:15          announcements, Ankundingungen, Passkontrolle, passport control, 
                   The tannoy sings in the tongues of the continent, 
                   And I skip through the signed labyrinth

22:00          At the edge of a star-strewn tunnel
                   A sweet shop end-stopping the universe;
                   Language is reborn, Alles ist neu
                   Packaging glimmers, Eistee sparkles
                   Kaffee und Schokolade mit Erdbeeren
                   My breath catches as I say goodbye
                   To the lady with a shiny pin and glittering smile
                   Schönes Wochenende!

22:15          I trip over my suitcase
                   Out the spinning door
                   Take a gulp of this cosmos
                   Ich bin Zuhause.


Kinderszenen 

a changeling snuck in the night
key left in the door
bumped my knees coming through the back, using kitchen light
a purse of the lips and that tinkle – my mind prepares for indeterminate war
swathed in a stench i was accustomed to
if their hair looked like mine i would cleave it
gouge out from my sockets shards of green
until it no longer looked like they made me 
– the other one is the new one
but i have been bruised for so long; i am unacquainted with their love
poisoned by my jamais vu i must remember:
i am of them, and of them too. 
so if both packed their bags at one time or another
which was the lodger, and which was my mother?

Thursday, 12 May 2022

Nina Walker, "Blooming"



Nina Walker is a third-year student and Leicester University. She enjoys writing, rug making and Ray Bradbury’s short stories. She’s been writing poetry since she was sixteen when the only person reading it was her mum. The dream is to be published eventually. 

Nina performed the following poem at the Creative Writing Student Showcase at Literary Leicester in March, 2022. 


About the poem 'Blooming,' by Nina Walker

The following poem was inspired in part by my paternal grandmother Wendy Walker, who worked in the hosier industry that was huge in the Midlands, as well as an article I read about the disgustingly long waiting list for people in this country needing cancer treatment. Since my grandma died of cancer during 2020 the two seemed thematically close. I wanted to try and get across the sense of loss I feel when I think about my grandma and the industry she used to work in. 'Blooming' is part of a larger collection I hope to publish about England’s past and how it affects our understanding of the present, as well as how we can come to love such a deeply troubled country.



Blooming

The alley behind Debenhams sells discount granny bras 
And I want to cut off my hair
Watch the threads slip down the drain
One by one

I keep reading about our collapse
Makes me sick, stomach full of all this bile
So I eat cleaner
Greener

But I still feel rotten, soft like a pear gone brown in the middle
Soft like the skin round a lump
Growing plump
In the glands in my chest
An anxious spasm

The city is not our friend
Doesn’t recall our names like a bad teacher
Fumbles with our futures like a bleeding pen
Blubbering like the lady behind Debenhams 
Or on the market 
With her cheap elastic bloomers 
When I’ve lost my job and my hair
I hope she’s the only millionaire 

Something about these people with their day jobs and money makes me feel faker than tan.
I can’t carve away at the pain we’re all stuck to like plump blue bottles
Can’t make work mean more than pennies counted
Can’t remove the tumours

We work till our fingers can’t pick out the stitching anymore 

Till they’ve worn us out like Primark trainers 

My grandma worked with her hands 
Just like the woman did
But a tumour took my nan and a tumour is taking the woman too
But it's not in her body
So I can’t cut it out

The tumour is barren 
Stripped us of our tools 
Left us arthritic 
So we send our projects abroad to children with quick fingers 
Blank eyes

Your nan will live
Or not
They don’t really care if she makes a living 

Never mind the back alleys and soft flesh, it’s our conscience we should be searching.
If this country was a dog I’d shoot it out of mercy.

Wednesday, 10 May 2017

"Drip" by Holly O'Brien

Holly O'Brien is an English student at the University of Leicester, studying Creative Writing as a pathway. She is an aspiring novelist, and enjoys exploring different areas in which she can take her passion.






Drip

Drip. Drip. Drip. Drip. Drip. Drip. A boy shifted while he laid in bed. Drip. Drip. Drip. The boy furrowed his eyebrows. Drip. Drip. Drip. The boy groaned. What was that infuriating sound? It had woken him up. He wondered what the time was, but he didn’t want to open his eyes and check. As long as his alarm hadn’t gone off, he could stay where he was for as long as he liked. He pulled his pillow over his head to block out the sound.



Drip. Drip. Drip. “For God’s sake,” the boy grumbled, voice muffled under his pillow. Why on earth could he still hear it, as plain as he’d been able to without the pillow? Ignore it, he thought, it’s probably been going on all night, and you haven’t noticed it until now. Ignore it. Easier said than done. It was one of those irritating sounds that makes your blood boil, bubbling hotter and hotter until it stops, like someone heavy breathing next to you, or a car alarm in the middle of the night that the neighbour doesn’t seem to care about, a sound that becomes so annoying that you lie in bed thinking, “Just steal the bloody car, will you!”


*

Beep, beep, beep! Drip. Drip. Drip. The boy fumbled frantically beside him, searching for his alarm clock. He could still hear that cursed dripping sound, and he didn’t need it to be accompanied by something else. Beep, beep, beep! Drip. Drip. Drip. The boy sat up, his hair sticking out in all directions. The alarm clock wasn’t on the table next to him. He leaned over the edge of the bed, following its sound; the blasted thing was on the floor. The boy huffed and picked it up, turning it off and placing it down beside him. He swung his legs over the edge of the bed and got up. He didn’t notice that his alarm clock didn’t read 7:30AM like it usually would after waking him up. Instead it read 3:00 AM.



*

The boy made his way across his bedroom, heading towards the bathroom. He planned on turning the tap off; surely that was what was making that dripping noise. Creeeeaaaak. The boy stopped halfway across the room, and looked down at the floor. The floorboards hadn’t creaked like that before. He reversed and took the same step again. No creak. And come to think of it, he couldn’t hear the tap anymore. The silence was music to his ears. Satisfied, the boy began to walk again. Creeeaaaak, creeeaaaak, creeeaaaak. Drip. Drip. Drip. The boy stopped again. So did the sounds. “I’m going mad,” he murmured to himself, rubbing his eyes, “I need to start getting more sleep.” He’d have to just walk to the bathroom, despite the phantom noises. He was sure they were just in his head anyway.



*
                
He arrived in the bathroom and checked himself out in the mirror, like he did every morning. But, he didn’t look like he did every morning. He was pale, white as a sheet, translucent, ghostly – odd. Perhaps he was coming down with something. That would explain the hearing things. A preferable option to mental instability. Drip. Drip. Drip. The boy looked down at the tap. It didn’t seem to be dripping at all. A sure sign it was all in his head – that is, until he saw the red water.



The boy bent down, nose millimetres away from the tap. He stared at it. There was something red coming out. He swallowed. He reached to turn the tap off – but it wouldn’t budge. It was off all the way already. Maybe if he turned it on…


The boy yelped as red water gushed out of the tap. He felt faint as he realised it was too thick to be just water, as screams started to echo around him, crying out in pain. It was only after a minute that he realised that he was crying, too, tears of red, his limbs burning as though on fire. Everything was going black. Menacing laughter had joined the screams now. Thump.


*

The boy never got back to his bedroom. If he had, he might have seen that the clock still read 3:00AM. The Devil only gets an hour. He always makes sure to succeed.


Friday, 5 May 2017

"Sprawl" by Emma Leach

Emma Leach is a second year student studying Creative Writing at Leicester. She really enjoys travelling and this has influenced her writing throughout the course. 



Sprawl 

Caged by grey.
A ribbon of smog
Overhangs the sprawl.
Clusters of skyscrapers
Absorb the day’s heat
That is unable to escape the
Dome of pollution.

Amid the bustle
The streets are swarmed,
People catching a glimpse of the city.
Lines of cars, like ants
On the roads,
Crawl on lacing freeways as
Red break lights illuminate every interstate.

Paranoia.
A distressed voice in the toilet cubicle
Calls out on Venice Beach,
Masked out by sounds of bike bells.
Graffiti climbs the neighbouring walls.
Brash colours
Of urban minds.

From where I stand
There is silence.
Golden interweaving paths
Separate concrete.
The Observatory gazes over the city,
Observing the sprawl.
Abhorring chaos, it slumbers in its own oasis.

Thursday, 16 February 2017

Cosmological Poems for NASA Chandra X-Ray Observatory

(Image: NASA/CXC/Univ. of Alberta/B.Tetarenko et al; Optical: NASA/STScI; Radio: NSF/AUI/NRAO/Curtin Univ./J. Miller-Jones)


As part of the second year undergraduate Creative Writing module, "Using Stories," students explore some of the overlaps between science and writing. This year, Dr. Ian Whittaker from the Department of Physics and Astronomy gave an amazing guest lecture on various remarkable astronomical phenomena; and students were encouraged to write poems inspired by cosmological research, and, in particular, the ground-breaking work of NASA's Chandra X-Ray Observatory in Harvard. We subsequently ran a poetry competition in conjunction with Chandra, for which students were invited to submit poems inspired (directly or indirectly) by one of Chandra's news stories.

The winning poem has now been chosen. The winner of the competition is Fraser McIntosh, with his poem "VLA J2130 + 12." You can read the winning entry published on NASA Chandra's famous website here

There were also two runners-up, by Alicia Saccoh and Olivia Titherington, which are featured below. 


Musicality: 10


When I turn my insides out for you, I let them hit the boards.
Every stage I’ve ever taken, ever floor I’ve fallen on,
They all hold my DNA within the graining of their wood.
It soaks me up. I get so thirsty, but it fades when I spill blood,
The purest form, you see, of beauty

Is the dying, desperate swan, her joints near-breaking – 
Oh, they must be!
How else could her body do – ? But no,
She lives
She breathes
She moves
And weeps 
And dances hard and long,
Hard and long.
All through the day,
And night,
No sleep! Hearts to be won!
And how could I waste time to eat 
When the extension of my upheld wrist 

Throughout the grand jeté,
Is not yet quite – just – so?
Tell me: how could I? I could not, 
And so I wake up, 
Get up; dark out, lights on
Stretch out, warm up
Oh, and where's the day gone? 
It's almost time for bed again
My blood is on the floor again
I've never been more beautiful. I am sure to be fed. 
The moment comes, 
The lights illuminate me 
And your cries immortalise me
And the moment forces me to break myself again,
And the music grabs and tears at me 
And pulls me by my hair 
And still the promise of your love
Is rising, forcing my feet up, 
Up, up!

Ankles well over toes and turned right out and held so high 
And – there.
That is how it happens. 
That is how a tired thing flies. 


By Alicia Saccoh, inspired by Chandra's press release ‘Astronomers Discover Powerful Cosmic Double Whammy,’ January 5 2017. 



The Sun and Her Children


She is the oldest woman of the sky,
The sun lit the earth from above and high.
Bright and burning with her orange-red glow,
Her presence was loved by creatures below.
And when she had burned and the day was done,
The light was hidden, the darkness had come.
She knew it was the time to take cover, 
As the Moon would soon rise and take over.
His grey light was no match for her fire,
But still he did always desire
To keep the night and to take back the day, 
And keep out the sun much to her dismay.
And when day was over she’d weep all night, 
Sadness that came with darkness dimmed her light.
The late hours and night were a loss she’d mourn,
Until she did have her spot back at dawn.
And when the light mellowed and the dusk came,
Her joy was gone, she not did feel the same.
This sky, the moon and she would always share,
She knew that it could never be for her.

On time went and centuries passed by,
Like different visitors in the sky.
They greeted the sun and they left their mark,
She knew they would not be there after dark.
And now only few of her friends remain,
The Thunder and the lightning and the rain.
Despite her sorrow the sun still burned bright,
But longed for company in the dark night.
She wished for something she could call her own,
Something she could love and have at her home.
With this wish the silver stars were now born,
They were with her at dusk and stayed at dawn.
The sun was radiant and with joy she beamed,
She was not alone at night when she dreamed.
Stars filled the sky with glittery glow,
They sawed and glistened, and put on a show.
Their presence dazzled the creatures of Earth,
The sky was brighter now than the Sun’s birth.

In the middle of the glowing Sun’s joy,
The silver Moon still remained sly and coy.
He had become ugly, jealous, angry,
He stayed in shadows of the family.
He had had enough of the stars and her,
He planned to take the stars, he did not care.
And when the night came again the sun slept,
And with a vision the sleepy moon crept.
To commit the greatest heist ever done,
And he took out the bright stars one by one.
They were iridescent but not as much,
The result of his cold and icy touch.
The stars fought to stay with their mother,
They pleaded to stay with one another.
He had no mercy, he stole them away,
They never again saw the sun or the day.

The sun awoke from her restful night’s sleep,
She found out what happened and she wept.
Although she still burned and glowed forever,
She did not rise at dawn for whatever.
Two full moons had appeared and then gone,
And still the sad sun had not rose or shone.
The earth was festooned in sheets of white cold,
The result of the darkness staying bold.
The creatures of earth longed for her yellow heat,
And yet the solemn sun still retreated.
They wished on the stars that stayed in the dark,
They remained with their silhouette stark.
These stars mourned for these creatures below,
So with their power they burned bright and glowed.
Sun saw their light in sadness and despair,
Finally she had power to repair
The moon’s touch and she rose in the dark sky,
The ice melted and the creatures sighed.
The sun saw how much she was longed for,
And vowed to rise each day forever more.

The sun rises in the early hours,
Until the dusk comes and the moon towers.
Earth is not ever-bright as it had been,
The sun still shone but was not always seen.
She remains modest in some cold seasons,
Her sleep and rest does not need a reason.
But the Earth still spins and life does go on,
For they know she will not always be gone.
Some months she provides warmth everywhere,
Some months Earth is cold and sunlight is rare.
Some months she is discreet behind the clouds,
Some months they await her and say aloud:
“She’s there, it’s warmer, and flowers will bloom!”
As she guides them from the cold weather’s gloom
This season is spring starting the year,
No one complains because summer’s near.
The sun is content, with Earth as her friend
But she won’t forget, her heart will not mend.
She still wishes the stars were there by her side,
Burning bright by her, with her as their guide.
The stars remember the bright fire always,
The one who stands alone throughout the days.
The stars still follow the moon in the night,
But they glow for her with eternal light.


By Olivia Titherington, inspired by Chandra's press release ‘Astronomers Gain New Insight into Magnetic Field of Sun and its Kin,’ July 27 2016.