Robert Selby, "The Kentish Rebellion"

 

Robert Selby, photograph by Paul Ligas

Robert Selby edits the literary journal Wild Court and reviews for various publications. His debut poetry collection, The Coming-Down Time, was published by Shoestring Press in 2020. A book-length sequence, The Kentish Rebellion, is out from Shoestring on 7th July 2022. 

About The Kentish Rebellion, by Robert Selby 

It feels fitting to be able to introduce The Kentish Rebellion here as the book owes a debt to The Community of Kent and the Great Rebellion 1640-1660 by the late Alan Everitt, who held the post of Hatton Professor of English Local History at the University of Leicester between 1968 and 1982. In his forensically-researched, fascinating study published by Leicester University Press in 1966, Everitt examined his native county’s restiveness through the Civil War period as part of his wider argument that "the England of 1640 resembled a union of partially independent county-states or communities, each with its own distinct ethos and loyalty." It is instructive, he wrote, that the people of the day referred to their county as their "country."

I first read Everitt’s book when I was nearing the end of my PhD on the poet Mick Imlah, whose final collection, The Lost Leader, contributed to the assertion of Scottish cultural difference within Britain. Reading The Community of Kent and the Great Rebellion helped inspire me to explore if I could do something similarly assertive for Kent, my native county just as it was Everitt’s. Kent, of course, is not Scotland - a "Home County" after all, with the associations of conformity that go with that status, and last an independent kingdom in the eighth century. But studying Kent in the Civil War period, when it was still far from homogeneous with the seat of power – the 1648 rebellion being just the latest in a long line of Kentish uprisings against London down the ages – allowed me to explore the idea of a distinct Kentish identity and imaginatively throw it forward to our own turbulent time.  

Below, you can read a poem from the sequence. 

From The Kentish Rebellion

Cathy Galvin, "Walking the Coventry Ring Road with Lady Godiva"

Walking the Coventry Ring Road with Lady Godiva is Cathy Galvin’s third sequence of poetry, following Black & Blue (2014) and Rough Translation (2016). Her poetry has appeared in anthologies and journals including Agenda, Visual Verse, Morning Star and the  Leicester magazine, New Walk. She is the recipient of a Hawthornden Fellowship and residency at the Heinrich Boll Cottage, Achill Island. She is currently completing a collection and poetry practice PhD at Goldsmiths, University of London. She is also a journalist and editor, founder of the Sunday Times Short Story Award and of the short story organisation, Word Factory. Her website is www.cathygalvin.com. 

Below, Cathy talks about her new collection, and you can also read a sample from it. 

Walking the Coventry Ring Road with Lady Godiva
By Cathy Galvin 

Walking the Coventry Ring Road With Lady Godiva has been a long, colourful journey. I used to walk under the ring road from home into the city centre; as a teenager to catch buses to and from school, or to sneak into pubs underage or to the Locarno to watch ska and punk bands including The Specials and Sex Pistols; for nights out with first boyfriends or for geeky moments in the library a short walk away from where Philip Larkin also drank as a teenager. 

The road is modernist, brutal and mysterious: it follows the outline of the ruined walls of this former great medieval city; it was built by postwar workers like my parents who had come to live in a city that represented progress, economic stability and an egalitarian education for their children. Research at the city's Herbert Gallery revealed the road had been built the year I was born by George Wimpey And Co for the Coventry Corporation for the grand sum of £73,000. Today, sadly, my walks in the shadow of the ring road often take me to the London Road Cemetery where my parents are buried a short distance from the mass grave for those Coventry residents killed in the Blitz. 

The place is in my soul. This sequence attempts to reach into the spirit of the place and its psycho-geography. The inspiration for this sequence came from Dante's circular walks through purgatory with the poet Virgil: what better companion than the legendary Lady Godiva? She was a thoughtful guide and offered a wisdom relevant to today. 

Luke Thompson, the inspirational editor and founder of the Guillemot Press, who published this poem, writes: "In this sequence Godgifu (Lady Godiva) guides the poet and reader along the titular road, circling the medieval city boundaries through demolition and bomb sites, past graveyards and Epstein’s angel, over rivers and monasteries, in a personal, poetic, spiritual and psychogeographic exploration of the city in which the poet was born."

David Morley writes: "Ring Road is a wonderful realisation of the poetry that is Coventry's past, present, and future: an archaeology and rediscovering of what it means to be a citizen of this fabled city."

Walking the Coventry Ring Road with Lady Godiva has been beautifully illustrated by 
Kristy Campbell, and printed on Mohawk Superfine papers and section sewn, with end papers from Fedrigoni. It is dedicated to the workers of Coventry. You can find more details about the collection here.

The sequence is divided into cantos - here's a flavour of the first: 


Beside me in the Cheylesmore underpass, 
she took my hand and said: Abandon fear. 
Sky Blues in red Doc Martens threw their cans

and punks in two-tone sang their ghost town near. 
We walked ahead to where an island framed 
walls friars had rescued from a king. 

Looking within to workhouse grounds 
Godgifu bent to lift a plate, broken in the dust, 
that once touched lips made Holy by the flesh 

and blood of Christ. Told me, 
beside a cloister door, to taste the food 
of lives that went before on Pancheon Blue, 

Chinoiserie Porcelain, English Stone, 
Cistercian Underglaze, Staffordshire Slip; 
liturgy of clinker, glassy tap slag, bottles. Brick.