Showing posts with label Rennie Parker. Show all posts
Showing posts with label Rennie Parker. Show all posts

Sunday, 9 November 2025

Rennie Parker, "Daughters of the Last Campaign"



Rennie Parker is a poet and FE worker, living in Lincolnshire. She has published several collections with Shoestring Press, her latest one being Balloons and Stripey Trousers.

She grew up in Leeds, and worked in tourism before researching a PhD at Birmingham Uni. Since then, she has worked in community arts and museums, taught literature, published criticism as well as poetry, and takes part in regional bookfairs and events. 



About Daughters of the Last Campaign, by Rennie Parker
The race to the South Pole, 1909 – 1911. What if a female expedition had really gone ahead? Meet Lady Helena the obsessive leader, her not-too-bright companion Gloria … and a third expeditioneer from (no!) a lower social class. Meanwhile, a modern-day researcher attempts to make sense of it all, hindered by a bitter descendant and a raft of eccentric enthusiasts. There is, of course, a re-enactment society who are going to deliver a LARP weekend, and an unwilling research supervisor who dislikes his supervisee; not to mention Major "Blaze" Fender-Bowen, who takes time out from his next TV series to speak with our contemporary heroine. What a shame the photographs from 1910 are so bad; is it possible that the whole expedition was a gigantic hoax? Join the intrepid Elizabeth Winsome Gardiner as she hauls a sledge across the white continent, acting as diarist, scientist, cook, and navigator. 

You can read more about Daughters of the Last Campaign on the author's website here. Below, you can read an excerpt from the novel. 


From Daughters of the Last Campaign
[Our 3-woman team is about to journey South. However, the paying-guest member, EWG, was recruited in a hurry thanks to a funding crisis.]

- Here you are. Compass, solar compass, chronometer, theodolite, sextant, map of the continent, Hansard’s Directory of Navigational Techniques, and a planar alidade.

- A what?

          I stood there astonished, holding out an irregular pile of scientific instruments which she had clattered into my arms.

- But, Lady Helena. The problem is –

          Gloria barged in with:

- And don’t forget the sledge meter; that’s the big bicycle wheel thingy on the end.

- But Lady Helena –

- Oh don’t look so glum, Dr. Gardiner. There will be plenty of opportunities for your medical pursuits. You can do all your scientific gubbins when we’re out there; it won’t be all typing and dictation, you know.

- But, Lady Helena. I am not a scientist. That is what I’ve been trying to say.

- But you’re a doctor. You said so.

- I am a musicologist. Doctor of Music. Didn’t you get my references?

          While Lady H. considered this important statement, Gloria said:

- Not medical then. Not one of those useful doctors.

- No. I’m an early music specialist. Sumer is icumen in, lhude syng cuccu.

- But you went to Newnham!

- Girton.

- And the Royal College.

- Royal College of Music. The RCM.

- So you’re not medical then.

- No. Whatever gave you that idea.

          There was a long pause. Seagulls cried overhead, and I heard the anchor rattling up on its chain.

- Oh bugger. I think I’ve made a terrible mistake.

          She turned towards me with a horrified expression, but before she could say anything, there was a raucous blast from the funnel. The deck underneath me began to slant and ride; then I suddenly found we were slipping away from the jetty, and a length of dirty green water was separating us from the land I loved. Only one question remained. What on earth was a planar alidade?


Sunday, 17 December 2023

Rennie Parker, "Balloons and Stripey Trousers"



Rennie Parker is a Shoestring Press poet who lives in the bottom left-hand corner of Lincolnshire. Unfortunately she does not have a writer's cat, because she works full time for a regional college doing lots of hard things on a computer. Before this, she had a career with various local authorities, taking jobs with community arts teams, libraries, and tourism departments. She studied History of Art and English at Oxford Brookes, before continuing with an M.A. in Medieval Studies at York, which (in the end) enabled her collection of Troubadour translations, Jongleur, in 2021. Between 1993 and 1997 she studied for a PhD at Birmingham, and published with the Writers and their Work series before deciding to concentrate on poetry. Her first collection, Secret Villages (Flambard Press) featured in the Forward Awards anthology for 2001-2, but there was a ten-year break until the next work, Borderville. She was born in Leeds, and left West Yorkshire in 1981. But she still has the accent.



About Balloons and Stripey Trousers

Take a journey into the toxic workplace, from one who's been there and done it so you don't have to. Who are the winners and the losers, and who is using whom? When people are seen as collateral damage, how can anyone survive these places intact? And was it always like this?

Welcome to the circus.

You can see more details about Balloons and Stripey Trousers on the publisher's website here. Below, you can read two sample poems from the collection. 


From Balloons and Stripey Trousers, by Rennie Parker

real not real

so the stiff-haired personnel have managed you into submission
and it's been years now.
I watch you in the guise of a Woman Who Knows.
Time was - and is - a traitor
pulling back from everyone
who put their trust in Her
and the adverts with their seductive ways
their effortless talk of dynamo start-up industries
on various purpose-built estates:
how vigorous and intent
the faces of their brave young men! how taut
the stretched skins with their fuelled enmities,
and you islanded, a pariah
the broken bridge attempting to ford a river
while the foul tide swivels past -
those choice roles awarded
to one who fits the needs of today's environment
when what they mean is 'young,'
hating yourself and what they will become
unable to leave the race,
pinning their rivals to the dartboard
with their casual cruelties
and you, rejected for no reason
facing the same people again and again
every session a marketplace
every market a butcher's hall;
it's you they've got on the slab.


hello can i help you

i'm a peopleperson me and that's what they told me at the clinic and i couldn't believe it when
they made me a supervisor here:

so put the sign on OPEN kelley because we don't want them to think we are shut now do we --

--  if our visitor figures plummet it's your job on the line kelley not mine because i'm a full timer
that's why

[it doesn't do to have them getting above themselves now does it]

WHO FOLDED THESE TEATOWELS THE LABELS SHOULD BE ON THE TOP

i'll be checking in future kelley there's nothing like a little mysteryshopper exercise
to keep you on your toes

it's a stressful job you know very stressful this very but i don't suffer from stress not really not
any more no not after the counselling

because i'm a peopleperson me and i'm here to serve the public and let's face it tourism is
the world and the world is tourism

[beam] hellocanihelpyou?