Showing posts with label Alien Buddha Press. Show all posts
Showing posts with label Alien Buddha Press. Show all posts

Sunday, 28 January 2024

Diane Simmons, "A Tricky Dance"

 


Diane Simmons is Co-Director of National Flash Fiction Day UK, and a former director of Flash Fiction Festivals UK. She has been widely published in magazines such as New Flash Fiction Review, Mslexia, Splonk and FlashBack Fiction and placed in numerous writing competitions. Finding a Way (Ad Hoc Fiction), her flash collection on the theme of grief, was published in 2019 and shortlisted in the Saboteur Awards in the Best Short Story Collection category. Her historical novella-in-flash An Inheritance (V. Press) was published in 2020 and shortlisted in the Saboteur Awards Best Novella category. Her new novella-in-flash, A Tricky Dance, was published by Alien Buddha Press in January 2024. You can read more about Diane on her website here and connect with her on X @scooterwriter and Bluesky @scooterwriter.bsky.social.




About A Tricky Dance, by Diane Simmons
A Tricky Dance is a novella-in-flash. It is set in 1970s Scotland and follows spirited teenager Elspeth as she navigates the challenges of friendships, family life and ambition, discovering that even in the face of adversity, life can hold endless possibilities.

You can read more about A Tricky Dance on the author's website here. Below, you can read an excerpt from the novella-in-flash. 


From A Tricky Dance

Dancing 

Rory McMaster corners me after double geography.

‘You ken how we had a go at the Gay Gordons the other day?’

‘Aye, you were great.’

He does one of his wee bows. ‘I’ve been learning Scottish Country Dancing at the church hall every Thursday. We do Highland Dancing too. Do you want to come along?’

I hesitate and he goes bright red. 

‘No’ like that,’ he says. ‘I mean I’m no’ asking you out or anything …’

I smile, tell him I know what he meant, but I don’t answer his question. I’m fed up of having to make excuses for not doing things. And this is dancing. I bloody love dancing. I sigh. ‘How much is it?’  

‘It’s only 75p a week,’ he says.

I can’t imagine thinking 75p was nothing. I get £3 for doing my paper round and I’ve to pay for everything out of that. Maybe if I took on a Sunday paper round too? ‘What do the girls wear?’ I ask. 

‘Your gutties and a skirt would do.’

I picture myself turning up in my gym shoes and school skirt, imagine the looks. ‘I don’t think I can.’


When I get to school the next day, there’s a plastic bag on top of my locker. Expecting something gross, I peer inside – it’s a pair of dancing pumps. 

I hound Rory down at break. ‘I can’t take these,’ I say. ‘They must’ve cost a bomb.’

‘They were my sister’s,’ he says. ‘They don’t fit her anymore.’ 

I examine the pumps again. There’s no sign of any wear – there’s not a single mark on them. He must think I’m daft.

‘That’s nice of your sister,’ I say. I stare at the pumps, then at Rory’s worried face and grin at him. ‘See you there on Thursday,’ I say. 

‘Seven o’clock,’ he says, and grins back. 


Thursday, 7 December 2023

Katy Wimhurst, "Let Them Float"



Katy Wimhurst’s first collection of short stories was Snapshots of the Apocalypse (Fly on the Wall Press, 2022) and her new collection is Let Them Float (Alien Buddha Press, 2023). Her fiction has been published in numerous magazines and anthologies, including The Guardian, Writers’ Forum, Cafe Irreal, Kaleidotrope, and ShooterLit. Her first book of visual poems, Fifty-One Trillion Bits, was published by Trickhouse Press (2023). She interviews writers for 3AM Magazine. She blogs here. She is housebound with the illness M.E. @Sylphsea on Twitter



About Let Them Float
In the short stories in Let Them Float, Katy Wimhurst creates off-kilter worlds that illuminate our own. Apocalyptic rabbits invade a town. People overwhelmed by their lives float above an urban park. A woman turns transparent after a virus. The playful lenses of magical realism and surrealism are used to explore physical and mental illness and our fragile environment. Thought-provoking fiction with a good dose of whimsy. More can be found out about the book here. You can read an excerpt from the book below. 


From Let Them Float, by Katy Wimhurst

Let Them Float

It was like any walk to work through Castle Park until something tugged at Isla’s attention. She halted, cupping her hand to her mouth. Jeez.

A woman was floating upright above a leafy oak tree. Her slender arms were opened a little on each side, like a half-baked ballet pose. She wore blue jeans and a matching jacket, and she stared skyward blankly, her chin tilted up. Suspended in the air, she resembled a figure from a Chagall painting or a lost angel in denim. What was she doing up there?

Would this be like the epidemic of Fainters in town, from a couple of years back? Or a few years before that, the Hornies, the group of teenagers who sprouted goat’s horns on their heads – Isla’s nephew, Hamish, aged five at the time, loved those. 

From where Isla stood, the floating woman looked twenty-something. Does she have any children? A question Isla asked herself about many strangers. She reached for her neck scarf and absent-mindedly rubbed its silky material between her thumb and forefinger. Three men ahead of her had stopped, one filming the woman on his phone. Isla would have loved to linger and watch, but another busy day at work awaited. She tore herself away.

In the sunlight, the wrought-iron park gates threw shadows like pretty lattices onto St Peter’s Street. Isla’s office was in a glass-fronted building halfway down this road. In the foyer, the sign above Reception read: Orizone: Compliments for Condiments. She wrote copy for a marketing company specialising in foods such as chutneys and pickles; hardly a dream job. Her boyfriend, Gaitlin, jokingly called her the ‘chutney champion.’ 

Kylie, the smiley receptionist with a ginger bob, greeted her. 

‘Heard about the floating woman?’ asked Isla.

‘Pardon?’ Kylie’s brow creased as Isla explained. ‘I’m definitely going to have a nosey at lunchtime. What’s that all about?’

‘Wish I knew.’ Isla glanced at Kylie’s telephone. ‘Any calls for me?’

Kylie’s brows rose. ‘That Mr Lancaster again. I told him to try in half an hour.’

A difficult client, Isla’s heart plummeted.

Sunlight sluiced through the floor-to-ceiling windows in the open-plan office. As ever, Isla was the earliest to arrive. She put her velvet jacket on the back of her chair while looking at a silver-framed photo on her desk. It showed her nephew in a school uniform, smiling in his sweet, bashful way. All the other women her age here had photos of their own kids on display. Isla switched on her desktop and turned her attention to her emails. Four already from Mr Lancaster. Oh, spare me. She clicked on his first one and tried to concentrate, but her mind harked back to the floating woman.


Friday, 30 June 2023

Kathy Hoyle, "Chasing the Dragon"

Congratulations to PhD Creative Writing student Kathy Hoyle, whose novella-in-flash, Chasing the Dragon, has just been published by Alien Buddha Press! 



Kathy Hoyle writes short fiction and flash fiction. Her work can be found in publications such as Fictive Dream, Lunate, Ellipsiszine, The Forge, and Emerge Literary Journal.

She was the winner of The Bath Flash Fiction Award, The Retreat West Flash Fiction Competition, came second in The Edinburgh Flash Fiction Award, and the HISSAC Prize and third in the Cambridge Flash Fiction Prize. Other stories have been listed in various competitions such as The Exeter Short Story Prize and The Fish Short Memoir Prize.

She holds a BA (Hons) and an MA in Creative Writing and is currently studying for a PhD at the University of Leicester. Chasing the Dragon is her debut novella-in-flash.




About Chasing the Dragon

Chasing the Dragon is a visceral, searing novella-in-flash that explores the complexities of familial relationships in a small-town community reeling from the after-effects of the Vietnam War. 

When two young men return home from war, both deeply troubled, their mothers must deal with the terrible fall-out. 

Willy is addicted to opiates and suffering from PTSD. Chester, no longer able to freely express his thirst for blood and combat, seeks other ways to wreak havoc on those around him. And their younger cousins, TJ and Cal, desperate to emulate their hometown war heroes, head off into the woods, only to find there is terrible danger there too. 

Meanwhile, in Vietnam, Bihn, who is terrified of dark spaces, has lost his parents, his home and has nowhere to turn, except the GI camp, where he vows to make himself useful, not knowing that he is entering into the darkest place he will ever know. 

You can see more about Chasing the Dragon here. Below, you can read an excerpt from the novella-in-flash.


From Chasing the Dragon, by Kathy Hoyle

Dark Spaces

Bihn does not like dark spaces.

Every day, he digs with grandmother, making holes to hide in, like rats. 

When the soldiers come, Bihn is forced inside. His uncle always sits too close. Bihn can feel sharp whiskers brushing his cheek and smell his uncle’s fetid breath. Fear clutches Bihn’s heart. He cannot help but cry. When they crawl out into the bright sunlight, Grandmother whips him hard with bamboo. Too much noise, she hisses. 

Bihn goes with grandfather to the river. He sees a rare blue lotus flower and bends to cradle it in his small hands, mesmerised by its beauty. A bullet whistles overhead. He looks up to see grandfather fold into the water. Blood pools on the surface. His uncle scoops him up and carries him back to the village. His whiskers scratch Bihn’s cheek.  Grandmother beats him. Your fault! Your fault! 

Bihn steals away at night. His eyes are good, he knows the way through the shadows. He moves, quick and agile, through the dark spaces. Rain pounds his face. He must not arrive shivering like a starving dog or they will not keep him. He must be useful. 

His sister, Thùy Linh, answers the door. She looks like a movie star, kohl-eyed, rippling crimson dress. She brings him inside, holds him to her. She smells like apricot blossom. Mai is pinched and angry. She screeches at Thùy Linh, No! No kids here! He shows Thùy Linh his bruises. Thùy Linh tells Mai that Bihn must stay. She lays out a bed for him in a dark space. Bihn does not like dark spaces.

Mai hisses at him, keep your eyes and mouth shut! He knows how to keep quiet. Each night he falls asleep to the rhythmic thumps of the bed.

Bihn runs errands. He collects the opium, learns how to crush it, how to clean the pipe. He is useful. The GI’s give him Hershey bars. They laugh, and drink and throw the girls around like hollow dolls. Afterwards, the girls hold them while they cry for their mothers. Bihn brings the pipe. The men lay on Thùy Linh’s bed, eyes glazed while Bihn cleans up the mess.

Thùy Linh has a special friend, Willy. She hums to Willy and tells him stories about the dragon father who protects his people. Willy says he will marry Thùy Linh and take her back to America. One night, Willy brings a tall, thin man with him. Bihn sees hatred in the man’s yellow snake eyes. The thin man reminds Bihn of his grandmother’s bamboo whip. His snake eyes loop around the room and settle on Bihn, nestled in his dark space. 

How much for the boy?