Showing posts with label 1960s. Show all posts
Showing posts with label 1960s. Show all posts

Sunday, 16 November 2025

On Writing Memoir about Growing up in Leicester in the 1960s

By Sharon Tyers


The Leicester Seamstress


My mother was a sock linker in a hosiery factory in Leicester for forty years. Sometimes she called herself an overlocker. As a child I had no idea what that meant and all I knew about socks was that she brought home the rejects from the factory floor, the ones that didn’t pass muster, for me to wear. As a result, when I was writing her story, there were many challenges along the way.

Firstly, the hosiery industry in Leicester doesn’t exist anymore but when I was growing up it was proud to say it was "a city that clothed the world." How was I to capture those times when the factories had disappeared from sight? Secondly, by the time I decided to write my mother’s story she was incapacitated and bedridden in the final throes of vascular dementia and had no voice – she could not share her memories with me. Thirdly, the moral dilemma as to whether I had the right to write about my mother’s life caused me much unrest and sleepless nights.

My first decision was to return to the city of my birth, which I left in 1979 at the age of nineteen, and retrace my steps, but that too was beset with problems. Leicester Market, a favourite haunt, where mum would drag me from stall to stall filling her shopping bag with unwashed potatoes, wet lettuces and muddy carrots, was being dug up. Huge, faceless, white boards hid its faded glory and bulldozers drowned out the shouts of the few remaining stall holders. Mum’s factory, where she started work on her fourteenth birthday in 1946, had been converted into student accommodation and was ironically called The Hosiery Factory. The chimney was still there, though, and I stood outside and imagined it smoking when mum arrived and disappeared through the enormous gates to spend the next forty years of her life. Her life may not have been glamorous but I would swear as I stood there, I could hear the giggles she shared with the other women.

Indeed, on Facebook, when I posted a picture of The Leicester Seamstress, who stands on the corner of Hotel Street, over 700 local people came forward to share their love of what she represented – the ordinary hard-working hosiery operator. I knew then I had to continue to write about not only my mother’s life but their recollections too.

So, I kept walking through the past, from Newarke where the Midland Red bus used to drop us off, through the Magazine arch and up into St Martin’s, where we never knew we were walking over the bones of Richard III who would be found thirty years later. Most importantly, I needed to stand in Fox Lane, that shortcut we took between Marks and Lewis’s where the strongman in a thin vest lifted weights for the entertainment of the shoppers and the accordion player squeezed out Lady of Spain.


Fox Lane, Leicester, 1965


These may not be the most sophisticated research methods employed by writers but I was there, you see, and I’ve realised the pictures are still in my head even if they are not still on the streets of Leicester. I completed my book in June of this year and called it The Wrong Socks.


About the author
Sharon Tyers taught English for many years at The Blue Coat School in Liverpool and now lives in North Wales where her first book, Linen and Rooks, is set. An essay, The Lost Dens of Leicester, was published by Little Toller/The Clearing in August 2025, again about her Leicester childhood. She is currently writing After the Fair, the untold story of Susan Henchard, from Hardy’s The Mayor of Casterbridge. She gives talks in libraries and bookshops and campaigns for better oratory skills in schools. She misses Leicester. Her website is here

Monday, 6 March 2023

Jeremy Worman, "The Way to Hornsey Rise: An Autobiographical Novel"

 


Jeremy Worman has dropped out in Wales and squatted in London. He has a First in English from Birkbeck, University of London, where he was twice awarded the biennial ‘John Hay Lobban Prize for the most promising student of English Literature,’ an MA (Distinction) in Creative and Life Writing from Goldsmiths, University of London, an M.Litt. from Cambridge University and a PhD in Creative Writing from Goldsmiths where Blake Morrison was his supervisor. He taught English Literature to American BA students at Birkbeck for over twenty-five years. He has reviewed for The Observer, the Times Literary Supplement, The Spectator, the New Statesman and many other publications. He has published two collections of short stories with Cinnamon Press. The Way to Hornsey Rise: An Autobiographical Novel will be published by Holland Park Press on 23 March 2023. He lives in Hackney, London. His literary agent is Christopher Sinclair-Stevenson. His website is here



About The Way to Hornsey Rise: An Autobiographical Novel, by Jeremy Worman

This book explores how a privately educated schoolboy turns from his rural Surrey background to the squats, drugs and hippy scene of 1970s Hornsey Rise, North London, which was reputed to be the largest squat in Europe. Beginning with the author’s childhood, the work is also about his escape from the intense relationship with his alcoholic, charismatic and mentally unstable mother, of her lovers, and of the romantic relationships of the author.  The narrative investigates how a 1968-style vision of the world collapsed in the 1970s, and the implications this had for the author and many of his generation: a visionary countercultural world was not going to happen.  

You can see more details about The Way to Hornsey Rise on the publisher's website here. Below, you can read an excerpt from the book.


From The Way to Hornsey Rise: An Autobiographical Novel 

She stood in the middle of the room. ‘I don’t know how you ended up here.’ 

‘I didn’t want to live a Surrey sort of life anymore.’

Her gaze peeled off my squatting dreams and exposed my fears. How could I have any vision of my own if she did not approve it? Was my real terror not that I had rejected her but that she had rejected me? I saw this place through her eyes: the torn section of flock wallpaper around the chipped door; the semi repainted living room, in a special-offer Dulux Sage Green, from the hardware shop on Holloway Road; the loose floorboards; the stained carpet. 

Where’s the bathroom, darling?’

‘Up the stairs; first door on the right.’

What could I trust if she was not in my life?

Ma came back from the bathroom. ‘I forgot to give you the champagne; let’s have it now; it’s still quite chilled.’ She took it out of her Liberty-print bag. 

I got two glasses from the kitchen, rubbed them with the drying-up towel, and rushed back. She pushed out the cork, which bounced off the ceiling, and filled our glasses.

‘To your new life,’ she said. 

‘Smoked salmon and scrambled eggs for lunch.’ 

The stale smell of the flat followed me to the kitchen. How had I landed up here? Why did I want Ma to see this place? Was I trying to shock her? Was I saying, ‘Just look how much I have rejected your fucking pretentious Surrey world?’ Five minutes later I carried in two plates. 

‘Voila.’ 

We sat at the table and talked about family things, which seemed to come from a distant world. The champagne intensified my sense of disjuncture. 

‘We’re going to grow organic vegetables and sell them,’ I said.

‘Here?’

‘Yes.’

‘How sweet.’

‘It’s not “sweet”; it’s changing the way we think about the city. Do you want to see the vegetable patch?’

‘I know what vegetable patches look like, darling.’ 

After lunch we looked out at the square.

‘Come home for a few months if you want.’

‘I like it here.’ 

‘Do you mind if I pop off? I’ll get a cab to Simpson’s; I need a new outfit for the autumn.’

‘If we walk to Archway Road, you’ll find one more easily.’

‘No. I feel quite safe. It’s not as rough as I expected; if I need help I’m sure the natives will be charming.’ She picked up her bag. ‘Thanks for showing me your experiment in living. Come and see me soon.’

‘I will.’

We kissed and she left. As the door shut, I felt terribly alone and wanted to hear her voice again. I recalled that day years ago at Miss Fish’s when she was late collecting me. I had been looking out for her at the small landing window and pictured her face but could no longer hear her voice. The silence made a void in which I was nothing. Then I saw her face again, and heard different voices speak from her mouth, but none of them was hers. It was as if she no longer existed. Perhaps she had found another voice with which to speak to a boy just like me ...