Showing posts with label graduate. Show all posts
Showing posts with label graduate. Show all posts

Tuesday, 21 July 2026

Hannah Stevens, "On the Bodies of Strangers"

Congratulations to UoL PhD Creative Writing graduate Hannah Stevens, whose new short story collection, On the Bodies of Strangers, has just been published!

 


Hannah Stevens is a writer of fiction and non-fiction. In Their Absence, her debut collection of stories was published by the Stretto imprint of Roman Books and was translated into Bulgarian by Ana Pipeva for Altera Press.

Her writing has featured in numerous anthologies including The Fairlight Book of Short Stories, High Spirits: A Round of Drinking Stories and Unthology 10: Fight or Flight. She is widely published in literary journals and magazines globally including Archer Magazine (Australia), Loose Lips (Canada), Necessary Fiction (USA), Litro Magazine, Idle Ink, Losslit, Fictive Dream and TSS Publishing (all UK).

She is currently working on her third collection of stories inspired by her time living and working in Taiwan. She has undertaken writing residencies in Yangon, Myanmar, The Literature and Translation House in Sofia, Bulgaria and the Taiwan Literature Base, Taipei.

Hannah is also an editor and creative events producer and has worked around the world on projects using writing and storytelling as tools for positive social change, partnering with the BBC, the British Embassy, Greenpeace and many others. Her website is here




About On the Bodies of Strangers, by Hannah Stevens
Shortlisted for the W&A Working Class Writers’ Prize 2022. A collection of short stories linked by the theme of tattoos.

Our lives, our experiences and the people we encounter leave behind indelible marks. On the Bodies of Strangers explores marked lives and marked flesh. The stories in this collection are linked by a single thread: the tattoos of their protagonists, traces of experiences and meaning etched onto their skin.  
 
These are stories about the chaos of ordinary lives, about people who are flawed, complicated, but always deeply human. From domestic abuse to unexpected friendship, mixing horror and hope, intimacies and lies, On the Bodies of Strangers explores the many ways we mark each other and ourselves as we deal with the complexities of human behaviour.  

You can read more about On the Bodies of Strangers on the publisher's website here. Below, you can read an excerpt from one of the stories.  


From On the Bodies of Strangers

Extract from Stick and Poke

The sun is higher now and the air is hazy with dust. The factory is in full sun, and so they’ve had to move for some shade. They sit beneath a tree across the wasteland close by.

Angel opens her bag and pulls out an old towel. She lays it carefully onto the floor, smoothing out the rucks as best she can on the uneven ground. Alma watches, nods her head in approval.

"It’s getting real now," she says. Angel doesn’t speak, takes out a plastic pouch filled with a handful of sewing needles. Next she brings out a pencil, a spool of thread, and then a tiny pot of blank ink. 

"This is everything," says Angel, sitting up and straightening her back. 

"So, how does it work, then?" Alma asks. She shifts slightly, trying to get comfortable on the hard ground. 

"Well," says Angel. "You dip the needle into ink and then poke it into the skin. Like, over and over again."
 
"Yeah, even I got that," says Alma. "So the tattoo is made out of dots, not lines?"

"Yes," says Angel. "I’ll be poking dots, not drawing lines, and I’ll have to go over it a few times. It’s going to hurt." She stops talking and looks at Alma.

"It’s fine," says Alma. "I can handle it." She sniffs, avoids looking directly back at Angel. 

"What design do you want?" Angel asks. 

Alma doesn’t want to say, somehow. "I thought you were supposed to be the artist," she shrugs.

"I wouldn’t say that," says Angel. "Anyway, you should choose. It’s your body." 

A woman with two kids appears on the canal towpath. She is carrying shopping bags in each hand. They look heavy, and her shoulders sag. Alma can see the woman’s face is red, set hard against the distance she’s got to walk home. The two boys trail behind her, struggling in the lunchtime heat. Alma wonders who they are, who they’ll become, if they’d disappear eventually too. Just like her dad. 

"Maybe a moon," says Alma finally. She remembers that time when her dad was home. Just for a short while. How he showed her the moon from her bedroom window, said that whenever she saw it, she should think of him, how he loved her. It was the only time she’d heard him say that he loved anyone. She remembers the moon’s white glow, the curl of it against the dark, empty sky.

Saturday, 7 February 2026

"The Armour of Fiction Versus the Sword of Reality": My Creative Writing Dissertation

By Kimaya Tushar Patil



Hi! I'm Kimaya, I'm 22, and I've recently been awarded my MA in Creative Writing from the University of Leicester. I'm originally from the city of Pune, in India, and I graduated from Fergusson College with a BA in English Literature in 2024 (2:1).

My final dissertation for the MA was a prose-based Creative Writing project which highlighted the political turmoil we face in a society that manipulates information to control and divide its citizens, and how we, as recently inducted adults, learn to navigate this chaos on finding ourselves in such an uncertain environment. For my dissertation, I submitted the first six chapters of the first book of what I have planned to be a trilogy.

My undergraduate project had to be done in a group and was purely research based (we applied Allen Tate's "Theory of Tension" to Dante's Inferno), so I was glad to have free rein this time around, as my Master's dissertation allowed me to combine research with my original work. 

The themes of my work were inspired by the current world events unfolding in the previous and ongoing decade. We have been through so much as a society; battling precarious geo-political conflicts, global pandemics, and corrupt leaderships. And yet, in spite of all the chaos, we are trying to not only persevere, but to find ourselves as we enter a new stage of life. My submission focused on the themes of 1) individual morality vs. social indoctrination, 2) identity and belonging, and 3) the construction of a false reality through propaganda and class division. 

As for the genre, while never having worked with fantasy before, it was the only one that felt right to be able to bear the weight of the themes being explored. It gave me the chance to probe further into these issues. My book would be classified in terms of the newly popular "New Adult" category, in the genre of political-fantasy with a romantasy sub-plot. The "New Adult" category is fairly recent development, and usually falls between the "Young Adult" and "Adult" categories, aiming for audiences between 18-25 years of age. 

The first book follows 22-year-old Oriana Seravelle, as she navigates her life as a new adult. As the adoptive daughter of the decorated army General of Elydris, Oriana has big shoes to fill. Between training and honing her ability to wield shadows, and her ageing father retiring soon, she is trying her best to be worthy of his legacy. Just when her father agrees to let her take on some more serious responsibilities, she comes across a mysterious stranger who threatens to turn her world upside down. 

During my dissertation I found myself struggling with scene edits, as well as stylistic edits. With scenes, I often struggled to maintain the delicate balance between mystery and revelation. I also often spent too much time focusing on minute details of particular scenes. I have learned, though, that it is best to know just enough about a scene to make sure it can be converted into a rough draft. That way there is at least something to edit later. 

Here are a few general tips for writing at university I feel I've picked up along the way:

  • Write whatever you can. It doesn't matter if it is 50 words or 500. It does not necessarily have to be a perfect draft.
  • Perfect drafts are a MYTH. And imposter syndrome is real, although it is good to remind yourself that you have your own unique timeline to accomplish your goals!
  • Go through your curriculum well before your classes begin and email your tutors in case of any queries. (They are always happy to help you!)
  • While navigating the busy schedule of a post-graduate degree, organisation is key! (Don't be shy to use that note-taking app, and the scheduling calendar. They are lifesavers).

Below, you can read a short excerpt from my MA Creative Writing Dissertation.

 

From Chapter Two

The moon is high by the time I make my way across the town and to the outskirts near the cliffs. The Fortress is a daunting structure in the distance. Its security is second best, only to its geographical advantage, which makes it inescapable, by foot or by water. Hewn from stone, the structure is deeper than it is taller, overlooking the steep drop to the jagged shoreline and deep waters below. 

Shadows dance along the walls as I climb the steps to the entrance. The two stationed guards exchange skeptical looks, but let me pass after handing me the roster of the cells. The darkness seems to close in the deeper I go, the dampness of mildew coating my senses in an invisible cloak. The sound of my boots is the loud compared to the occasional groan or yell coming from a distance. It takes my eyes a minute to adjust to the light that flickers from the carved hollow quartz stones, placed upon unevenly distanced sconces. I make sure to double-check every name and locking mechanism on each of the holding cells as I move deeper into the fortress. 

About forty cells in, the Fortress goes quiet; too quiet. I move cautiously, drawing a blade from its sheath, and take a left at the upcoming junction. I see something move in the shadows out of the corner of my eye. I turn around to find hollow darkness, but I sense someone standing in the shadows. There is more than one person here. Not guards. 



Tuesday, 29 July 2025

Laura Besley, "sum of her PARTS"

Congratulations to Laura Besley, University of Leicester PhD student and MA Creative Writing graduate, whose new collection, sum of her PARTS, has just been published by V. Press!



Laura Besley (she/her) is the author of Sum of her PARTS, (Un)Natural Elements, 100neHundred – shortlisted for the Saboteur Awards – and The Almost Mothers. She is an editor with Flash Fiction Magazine and runs The NIFTY Book Club - a monthly online book club wherein participants read & discuss novellas-in-flash. Currently, she is a Creative Writing PhD student at the University of Leicester. Having lived in the Netherlands, Germany and Hong Kong, she now lives in land-locked central England and misses the sea. Her website is here.    



About sum of her PARTS, by Laura Besley
sum of her PARTS is a collection of 30 micro pieces, each exactly 50 words with a one-word title. They explore female body parts and how they are used and abused by those around them, as well as celebrated.  

You can read more about sum of her PARTS on the publisher's website here. You can read a review of the collection on Everybody's Reviewing here. Below, you can read two sample pieces from the collection. 


From sum of her PARTS

solitary

most days
I like
living alone, 
no one 
to moan
about my
lack of 
culinary skills
or clothes
strewn around; 
only when 
a robin - 
breast aglow - 
frolics in 
a birdbath
or I
almost choke
on a 
piece of 
molten cheese
on toast
do I 
regret certain 
decisions made
long ago.


bold

It's an hour before sunrise when I wake and discover I've turned into a trombone, my body shiny-sleek. I try out my new mouthpiece, a short shy toot at first. Subsequent blows grow in length and volume until I am blaring, brass-band loud. This is my voice. Hear me. Listen. 


Tuesday, 19 November 2024

Catherine Ayres, "Janus"



Catherine Ayres is a teacher and poet from Alnwick in Northumberland. Her first collection, Amazon, was published by Indigo Dreams in 2016. She is widely published both in print and online. She has recently completed a Creative Writing PhD at Northumbria University, focusing on women living on Hadrian's Wall at the time of Roman occupation. She studied English Literature at the University of Leicester 1991-1994.



About Janus, by Catherine Ayres
Slipping through time over the course of a calendar year, the poems in Janus, like the two-headed Roman god, look both forward and back, charting the significant moments in an ordinary life. This collection is an exploration of those memories which "make circles / glint like birds in the light."

You can read more about Janus on the publisher's website here. Below, you can read two sample poems from the collection. 


From Janus 

June 1983 - a weekend playing out with my best friend Emma

Oddbods

We embroider our edges with slow smiles,
tuck ourselves into home-made jumpers
and hide in our mothers’ expectations.
We are happiest in the avocado shadow of bathrooms,
turning over sea urchins with trembling hands;
or crouched next to French windows, listening
to a scratched recording of birdsong.
Our guinea pigs are called Monica - they are both boys.
We like our eggs hard boiled, our celery lined with salt.
We know how to use a soup spoon.
We do not understand posters; all our clippings
are pinned to floral wallpaper. Our bedrooms
are like conches, delicate and full of whispers.
(It is often hard to leave them).
Laughter clatters round us like knives falling in another room;
we are soft and solemn as Sundays and do not flinch.
One day we will live in the tree on the hill,
hang our horse brasses from its branches.
When our dandelion clocks swim like spiders
towards the moon, we will teach the teddies about Jesus,
serenade the cowpats with our favourite hymns.
It won’t matter that our dollies are lonely;
we will draw them close, wipe the tears
from their large, unblinking eyes.


April 2020 - lockdown

Mum

When I crunch down your drive
with some carrots, a wholemeal loaf -
unsliced – you stand in the garage
and use the remote to tilt its door

emerging slowly, feet first,
like a breech birth, or Darth Vader,
if Darth Vader wore Skechers, a John Lewis
top. For a moment, your face floats

then you step forward, submissive,
as if these groceries were the Host,
and I step back, as if your eyes
were metre rules. We’re silent,

ceremonious, a bit pissed off. Mum,
we’re more alike than I let on.
Behind you, in the kitchen,
there’s an awkward hug. Cheese scones.


Monday, 29 July 2024

Constantine, "Alien Boy"

Congratulations to University of Leicester Creative Writing MA graduate Constantine, who has published a new novel, Alien Boy



Constantine achieved a first in his B.A. Creative writing degree in 2017 and achieved equal success when he finished his Master's degree in 2021. He has written four episodes of the CBeebies show Pablo and has written a number of books, the most well-known being The Cats of Charnwood Forest.




About Alien Boy, by Constantine
Alien Boy is the first in several very short volumes designed for reluctant readers. The chapters are short, there is some description, plenty of dialogue and it is written from a first-person point of view. The style of writing fits the age of the character and reminds me of the "What We Did in the Holidays" reports I used to be asked to write at school in the late 80s. The story follows Alen, an 11-year-old orphan with ASD who discovers he is far more important than he could possibly believe.

You can read more about Alien Boy on the publisher's website here. Below, you can read a sample from the novel. 


From Alien Boy
After dinner I rushed to my room, closed the door, and took out my watch. I looked at it long and hard. It had come back on, and once again random numbers were showing on the screen.

I put it down and immediately the numbers stopped … you can guess what happened next can’t you? That’s right, I picked it up and the numbers started again but stopped when I put it down.

My mind went back to my talk with Gordon. The watch had flashed when I passed it to him, but was it flashing while he held it? I don’t think it did. Could the watch only work when being touched by me?

This was amazing, I strapped it to my wrist, and it came to life, numbers scrolling across the screen, always in groups of two. After a while, the watch beeped and then the numbers started again. Was there a pattern? I waited till it beeped again and this time I wrote them down. This is what it looked like:

09 06 00 26 15 21 00 23 01 14 20 00 20 15 00 11 14 15 23 00 23 08 15 00 26 15 21 00 01 18 05 27 00 20 08 05 00 17 21 05 19 20 09 15 14 00 20 15 00 01 19 11 00 09 15 00 23 08 15 00 01 13 00 09 

The 09 was flashing, so I underlined it. I thought that it must be important, but what did it mean? What did any of it mean? I looked at the numbers long and hard. And the 00’s stood out. If 0 is nothing, then 00 is also nothing. So, I wrote it again leaving a space where the 00’s were. Now it looked like this.

09 06    26 15 21      23 01 14 20    20 15    11 14 15 23    23 08 15    26 15 21    01 18 05 27    20 08 05    17 21 05 19 20 09 15 14    20 15    01 19 11    09 15    23 08 15    01 13    09

Now I was getting somewhere. The numbers were starting to look like words. Could it really be so simple?

I looked for a 01 and saw there was one near the end next to a 13. Now if 01 was "A" then 13 would be "M" which would make "AM." It seemed to work and so I tried all the other numbers. The 27 caused me some problems, because as you know there are only 26 letters; but then I figured that if 00 could be a space, 27 could be a full stop. Within minutes I had deciphered the message:

"If you want to know who you are the question to ask is 'who am I?'"

What did that mean? I thought about it, but it didn’t make sense. Then I remembered that the "I" was flashing. That was a clue. Who am I? I’m Alen Boiy. Was it the "I" in my surname? What if I took it out? I’m Alen Boy? That didn’t make much more sense. Okay what if I took the "I" and put it somewhere else? Alen I Boy? I Alen Boy? Then it hit me: you probably worked it out ages ago. The "I" went in the middle of my first name.

I whispered the answer out loud because it seemed too mad to stay in my head.

"I’m not Alen Boiy," I whispered. "I’m Alien Boy."

My watch made a beep and a new message scrolled across the screen. In a few minutes I had it deciphered.

"Well done," it said. "We will be in touch."

Tuesday, 27 February 2024

Amrita Manku, "The Incident"

Congratulations to University of Leicester graduate Amrita Manku, whose play The Incident is being performed at the Curve Theatre this Friday!



Amrita Manku is an emerging writer and director from Derby who studied a Minor in Creative Writing at the University of Leicester. She is interested in creating and telling stories that hold up a mirror to society, start meaningful conversations and leave the audience thinking. Her first play, The Incident, is a comedic speculative fiction piece that explores themes of fate and destiny. The play will be performed script-in-hand as one of four showings for the Kali Discovery Showcase 2024 at the Curve Theatre as part of their New Work Festival.

About The Incident
A typical evening takes a cosmic turn when a stranger pays Sage a visit, derailing life as she knew it. This is a humorous and unexpected take on reclaiming one’s destiny and the intertwining threads of fate and consequence. Amrita developed three drafts of her script over a six month period with dramaturgical support from director, writer and dramaturg, Aisha Khan.

There are two performances of the play on Friday 1 March, at 3pm and 7pm. You can find out more on the Curve's website here


Wednesday, 13 December 2023

Constantine, "And things begin to change ... and other stories"

Congratulations to University of Leicester MA Creative Writing graduate Constantine, who's just published his book of short stories, And things begin to change ... and other stories!



Constantine is an autistic author and father. He achieved a first-class B.A. At Middlesex University in 2017 and completed his Master’s Degree at the University of Leicester in 2022. Between the two degrees he wrote four episodes of the Children’s T.V. show Pablo, and has written and published the picture book Tiya and the Minotaur and the novels The Cats of Charnwood Forest and its sequel Jötunheim




About And things begin to change ... and other stories
This collection of short stories has been donated to Coalville C.A.N., a community project in North West Leicestershire which hopes to encourage and support local authors through ‘Coalville C.A.N. Community Publishing.’ All proceeds from the book go towards that project. Coalville C.A.N. Community Publishing is now accepting submissions from all Leicestershire-based authors. You can see more details about their work here

You can see more details about And things begin to change ... and other stories here. Below, you can read a complete story from the book. 

From And things begin to change ... and other stories, by Constantine

Policeman Pete

Peter headed home. His colleagues were in the locker room getting changed, but not Peter. Peter liked travelling home in his uniform. It made him feel safe, and powerful, though admittedly not quite as powerful as when he walked around St Pancras station with his Heckler & Koch HK416 assault rifle. Of course, being off duty he removed his cap and made sure his identity numbers were well hidden. The Assault rifle and Sidearm were left at the station along with his Taser and CS Gas. Nevertheless, there was no disguising what he was and the feeling of power aroused him.

Tonight, the tube was packed, and even so, he commanded a respectful space around him. The passengers, like cattle in an abattoir crowded away to avoid his gaze. A woman caught his attention; she was halfway down the carriage and squashed in. He made his way towards her knowing nobody would question his movements and as he passed, he squeezed up beside her, his lips almost touching her ear, The scent of her perfume was in his nostrils and he knew she had felt him. She would put this gentlest of violations down to her own imagination or accident, but he knew she had felt him pass.

He got off and walked slowly home. Tucked away in his pocket was the missing ingredient.

*

The kids avoided making eye contact as he passed. Nobody called out to him, no ‘Good evening officer,’ from the locals. It was a ‘sign of the times,’ he told himself, though inside he knew it had started the day Mary had left.

He reached his home, a one-bed flat on the ground floor of a terraced house in Leyton. Despite the lateness of the year the inside of the flat was markedly colder than the outside. Peter barely noticed. He glanced briefly at the usual plethora of bills and credit card applications which sat on the mat and then headed into the kitchen. He poured himself a small scotch and sighed deeply. Then he took the bottle and opened a small door in the main corridor. Here one could access the gas and electricity meters but also a small set of steps went down to a cramped and dank cellar. The walls were lagged and soundproofed but still, the smell of damp chalk came through.

There under a single lightbulb stood a mannequin. Its clothes were demure, its hair refined and respectful. Its face painted, like that of a woman weeping. From his uniform pocket, Peter retrieved a brown paper packet and from this, he removed a pair of stockings. He spent a few minutes lovingly and carefully fitting them and then from his inside pocket removed his ex-wife’s wedding ring and slipped it onto the mannequin’s finger. He stood back and admired his handy work. Then, after taking a few more gulps of whisky, he took out his truncheon and let out a barely human cry of rage.

Outside the rain fell heavily in Peter's backyard. It fell on the overgrown lawn, the uncared-for flowerbeds, and the pile of smashed and disfigured fibreglass figures.


Wednesday, 12 July 2023

Tim Hannigan, "The Granite Kingdom: A Cornish Journey"

Congratulations to UoL PhD English and Creative Writing graduate, Tim Hannigan, whose book The Granite Kingdom has recently been published by Head of Zeus!



Tim Hannigan was born and brought up in the far west of Cornwall. After starting his working life as a chef, he eventually made it to the University of Gloucestershire to study Journalism, after which he moved to Indonesia where he began his writing career as a travel journalist. His first book, Murder in the Hindu Kush, was published in 2011, and he subsequently wrote several books on Indonesian history. In 2016 he started work on a critical-creative PhD at the University of Leicester, supported by the Midlands4Cities DTP. This project produced his book The Travel Writing Tribe, published by Hurst in 2021. He lives in the west of Ireland and combines his writing with part-time teaching roles at the Technological University of the Shannon and the University of Hull. His website is here



About The Granite Kingdom

From Daphne du Maurier to Doc Martin, and from the romantic melodrama of Poldark to gritty TV depictions of the modern fishing industry, Cornwall is densely laden with images, projections and tropes. But how does all this intersect with the real place, its landscapes, histories, communities and sense of identity? In The Granite Kingdom, Tim Hannigan sets out on a meandering, 300-mile journey to find out, travelling on foot from the banks of the River Tamar to his childhood home near Land’s End. 

Combining travel writing, memoir, history and literary criticism, the book explores the varied landscapes of Britain’s westernmost region and grapples with the complex idea of Cornwall itself – a cosy English seaside destination for some, a fiercely independent Celtic nation for others and one of Britain’s most impoverished post-industrial regions for others still. It considers the way literary narratives from without have sometimes informed identities from within – including the author’s own – and asks awkward questions about what it means to be “Cornish” in the twenty-first century.

Below, you can read an excerpt from The Granite Kingdom.


From The Granite Kingdom, by Tim Hannigan

Chapter One: Bordering

If you stand at the threshold of Number 2 Cyprus Well, you have a choice. It is the middle cottage of three in a little terrace facing a bank of sycamore saplings on a steep lane called Ridgegrove Hill. Above the single ground-floor window, a plaque records that ‘Charles Causley, Poet’ lived here from 1952 to 2003. They might have added the word ‘Cornish’ to the description, for that is the adjective most commonly associated with Causley. And indeed, he lived in Cornwall – right here in Launceston, in fact – not just for fifty-one years, but for almost his whole life. 

But if you stand at the threshold of Cyprus Well and turn left, you can see Devon. 

It shows beyond the point where the lane bends downhill: a gathering groundswell of trees and pasture. From the doorstep of Causley’s cottage, it seems natural to turn that way, to go with the flow. At the bottom of Ridgegrove Hill you’ll meet the little River Kensey. Within a mile, the Kensey will carry you to the Tamar, and the Tamar will bear you away south, between dark woods to the grey docks and end-of-terrace pubs of Plymouth, with the busy waters of the English Channel beyond. But if it’s Cornwall that you want, then you have to turn against gravity, against nature, pull steeply up Ridgegrove Hill then on up Angel Hill to pass, breathless, beneath the fortified arch on Southgate Street. And if it’s a decent prospect to the westward that you’re after, you’ll need to cross to the other side of Launceston and climb the motte of the castle. 

On a midsummer morning, I stood on the pavement outside Number 2 Cyprus Well. It was early, and up the hill Launceston gave off the faint hum of a small town readying itself for the working day. To the east, the valleys were liquid with yellow mist. A few intersecting ridges rose above the flood, trees and hedges in dark profile. But it wasn’t clear to whom they belonged. I glanced left and right, fiddled with the straps of my backpack, looked at the map. Then I turned downhill, into the mist ....


Tuesday, 25 April 2023

Constantine, "Tiya and the Minotaur"

Congratulations to Constantine, University of Leicester MA Creative Writing graduate, who has just published a picture book, Tiya and the Minotaur!



Constantine 
is an autistic writer. He holds an MA in Creative Writing from the University of Leicester and his previous works include The Cats of Charnwood Forest and four episodes of the children 's TV series Pablo, which is available on BBC in the UK and Netflix worldwide.



About Tiya and the Minotaur, by Constantine

This picture book was written by an autistic writer for his autistic children.

Is this book only for autistic and neuro-diverse children?  No.
However. it has been made with them in mind. The artwork has been designed in such a way that readers on the spectrum, by and large, find helpful. For instance, throughout the work none of the characters have faces. Many people know that many autistic people find eye-contact uncomfortable; however, even when eye contact is not an issue, processing faces can add a significant load to an autistic child's ability to process. Interestingly when testing this book on both autistic and neurotypical adults and children, few even noticed the characters' lack of facial features and in the few who did, none found it an issue. The colours and scenes throughout are 'soft.' By this, I mean that even in that few brightly lit scenes, there is nothing 'glaring; or 'confusing.'  Whilst I love abstract imagery, it can be a stumbling block for young children and can even overload an autistic child trying to make sense of the scene.  

In addition, the author has noticed that there are many young advanced readers who still crave picture books with age-appropriate stories, but want something longer with a more challenging vocabulary. At the same time, there are older reluctant readers who need to be eased into reading but find novels intimidating or boring and need a hand to get back into the practice of reading for pleasure. To find an autistic child of say twelve years of age who is unable to read fluently and still like to have picture books read to them is not unusual.
It is primarily for them that this book has been created, though I hope the neurotypical of all ages will also enjoy it. 
​​​​​​​

From Tiya and the Minotaur





Tuesday, 17 May 2022

Laura Sygrove, "Three Poems"



Laura Sygrove is a recent graduate of the Creative Writing MA programme at the University of Leicester. She loves mythology and folklore, horror games and graphic novels, and is currently looking to break into the publishing industry. Her poem ‘IC-4593’ was published on NASA’s Chandra X-Ray Observatory blog in 2021. You can read it here

Below, you can read three poems by Laura. 


About My Poems, by Laura Sygrove

These poems are taken from my MA Dissertation, a creative study on the effects of consumerism, and rooted in my experience working in retail and customer service. Consumerism as a system is built upon the backs of the working class – many of us actively participating in the exploitation of others through no fault of our own. Purchasing consumer goods or services in the market is unavoidable, and arguably essential in sustaining a happy and healthy lifestyle under capitalism. 

With these ideas in mind, ‘A Supermarket in Connacht,’ ‘SCO-117,’ and ‘Wood Wide Web’ were composed as short allegories, exploring themes of hospitality, greed and excess, autonomy and compassion. ‘A Supermarket in Connacht’ details the downfall of an ancient Irish warrior-Queen, whilst likening a trip to the grocery store to a kind of spiritual experience (one often encompassed by the phrase ‘retail therapy’); ‘Wood Wide Web’ conveys the idea that we, as consumers, are led, as opposed to being well-informed and in control; while ‘SCO-117’ addresses the role of machinery and technology in the workplace, displacing blame and responsibility onto inanimate objects. 



A Supermarket in Connacht

     I’m a regular at the Empyrean – 
The ollmhargadh down the road –
     I burn as six-wingéd seraphim
clothe my feet, mouth, and nose.

     Like Queen Medb, ruthless
And revered by all – 
     Risk it for that prized stud,
Stand by as men brawl;
     Raise babe and army 
As far as Donegal.

     Home is Éire – 
Where open-air
              spirits roam;
                                  Trace the gibbous moon         
by the cruel light of day,
      Waning       at the summit of Cnoc na Ré – 

I am equal to him if I possess equal fortune.

     Sip black coffee with syrups
And shop-bought jams;
     Climb man-made cairns,
Fall prey to internet scams […]

     You crazy babe, Bathsheba  – 
Indulgent in earthly riches – 
     Suckle forbidden faery fruits,
Rotting figs in pale juices;

     Pinch the flesh 
from fuzzy skins,      Savour pulp fiction 
And trashy magazines;
     Reality TV on livestream.

     Swim out from Galway Bay
to Love Island,
     Make haste and mate
Atop the Celtic moors;

     Pull me aside for a chat – 
Avenge my sister, 
Tit for tat;
     I am felled by a piece of cheese.


SCO-117

           Do you think I am an automaton? – a machine without feelings?
    - Charlotte Bronte, Jane Eyre

     I have as much sovereignty as you – 
As much jurisdiction, and as much purpose!
I am a pillar of industry – 
     What have you to contribute?

I am phenomenal 
     Qualia of consciousness;
Saunter supermarket aisles 
with Psyche, my Soul – 
     A spectre chained to an endless present.

I am fleshless, full-bodied;
Sinewy nuts and bolts – 
     A tightening in my chest 
as you tinker and tarnish.

“Do you wish to continue?”

I only accept card payments, sir – 
Do not burden me further with loose change/  
                                                                    mere pittance. 
You’re all the same!
     You push my buttons,     finger 
                                             my slots,
     Play with parts of me you shouldn’t touch.

Error!!! UNAUTHORISED ACCESS 
~ please insert absolutely nothing here ~

I am the future.
     I insist:     You cannot continue.
                                                                                                

Wood Wide Web

          Do not neglect to show hospitality to strangers, 
          For thereby some have entertained angels unawares.
- Hebrews 13:2

     Droplets of atropa belladonna 
on eyelids – Emerald iris          
infused with ink black,     And blinded –     
     In anguish, think of me;
Seek sanctuary.
     Surf mycorrhizal markets,
fungal fibres laced with lipids –     Sidestep symbiosis 
                                  and slurp the sugared soil.    
 
     Stop, thief! – Translucent tears 
do wilting flowers weep;
(Ne parles pas, parasitic ghost pipe! – 
     Undead snowdrop! – Feign sleep!)
With bated breath, and tree roots 
                                                       trailing, 
                                           Feel your way – 
                           Hack mycelial networks and infiltrate
the mainframe.

    Brainless mould – More bold than I – 
Traverse the showroom floor with ease – 
     Ankles swathed in yarn-like shackles;
To loosen, soak the knots in LSD.

With tentacles that sift and tend
     to self-service warehouse,     Descend – 

Confide in slime to reach the labyrinth’s end.

Tuesday, 22 March 2022

Gregory Wilson, "The Civil Service Fast Stream - Career Opportunities"

On Thursday 31 March 2022, 10-11am (online via MS-Teams), there will be a special guest talk and Q&A by members of the Civil Service Fast Stream, working across government. The presenters will talk through the application process, their experiences on the Fast Stream and careers in the Civil Service more generally. You can read more about the Civil Service Fast Stream in a special blog post by a Leicester University graduate below. 


About the Civil Service Fast Stream, by Gregory Wilson



The Civil Service Fast Stream is The Times Top 100 number 1 Graduate Employer for the third year running! It is also a Disability Confident Leader Employer, and prominent on the Social Mobility Employer Index.

My name is Gregory Wilson, I studied my English BA at the University of Leicester, starting in 2014 and graduating in 2018. I wasn’t entirely sure what to do next, and after doing some work for a restaurant and then a year in local government I applied for the Fast Stream and was accepted into the 2020 cohort, starting in October of that year.

The stream I was accepted onto was the Finance Fast Stream, but it is worth mentioning there are fifteen different streams to apply for, with some changing each year. From English to Finance was a bit of a change in direction, but that just goes to show the varied skills they look for in each stream: you don’t have to know finance to start finance … Believe me!

Many of the streams offer qualifications alongside. For the Finance Fast Stream, you have an option of several routes into becoming a Chartered Accountant with the study support and the course funded, alongside a competitive salary. There are also several other streams that offer industry-relevant qualifications which can really give you a kickstart in a new career.

You will be placed on year-long postings and rotated to different departments and locations. This is one of the most exciting parts of the scheme for me - the opportunity to work within different departments, with different teams. Experiencing the diverse work accomplished within the Civil Service is a fantastic experience.

My first posting was with the Home Office. Starting during a pandemic meant I joined and left the team having never been into the office or met any colleagues face to face! Despite this, it was still a positive experience, and working from home was well facilitated and seamless. But it must be said, I am far happier on my current hybrid working arrangement at the Department for Transport, coming into the office and seeing colleagues in person.

The applications for starting this September/October are closed, but will open again for the 2023 intake in September. There are very useful FAQs on the website here.

For me this has been a life-changing opportunity to do work that makes a difference and train for a very relevant skillset, I hope there is something it can offer you, or maybe someone you know.



Tuesday, 8 February 2022

Kassie Duke, "Word Bath"

 


Kassie Duke was born in Oakland, California and grew up writing mostly silly poems in her mom's birthday cards. She is very excited to be debuting her first collection of poetry with Word Bath. Kassie has a love of words in all forms having produced her first stageplay The Play in 2015, followed by earning her MA in Creative Writing from the University of Leicester in 2017. Over the years, she's served as a script reader for agents in Hollywood and as a finalist judge for screenwriting competitions in the Los Angeles area. She's currently a full-time proofreader and is in the process of a coast-to-coast relocation from Southern California to Florida, USA. To follow her literary endeavors, you can check out her casually updated blog here.



About Word Bath, by Kassie Duke

Word Bath is a new collection of poems to read tucked in that small corner of the room, nestled in a favorite chair, at the end of a long day. A departure from the usual heart-wrenching territory of verse, it’s a short, sweet walk through the mind of a writer as she puts pen to paper and finds simple joys in the wonder of words.

Three brief chapters explore almost every mood but melancholy. Hoping to give readers a taste of something more in their poetry, “Not About Love,” “Not About Loss,” and “Not About Lemons” are journeys that range from hopeful, to lovestruck, and just plain silly.

Any reader looking for an alternative to deep-cuts, but also a thoughtful love letter to poetics will enjoy Word Bath


From Word Bath

maybe now is when we’ll see
the driest flowers smell as sweet
these old October growths

*

In a while, I won’t be ice anymore;
able to melt with the murmur of a warm breath.
I’ll be a river running, moving with the might of the wind.
The spring of my soul will wash away the flows floating downstream
and I will dream— not of the time I spent in winter—
but of the sun coming up with the steam.


Thursday, 26 August 2021

Anita Sivakumaran, "Cold Sun"

 


Anita Sivakumaran was born in Madras and has lived in the UK since 2004. Her historical novel, The Queen, based on real events, has been made into a major television series. The Birth of Kali, her acclaimed second book, retells Indian mythology from a feminist point of view. Cold Sun is her first novel in the DI Patel detective series. She lives in Leicester with her husband, children and a rescue dog from Greece. Anita has a PhD in Creative Writing from the University of Leicester. 



 

About Cold Sun, by Anita Sivakumaran

Cold Sun heralds the literary debut for Detective Vijay Patel of Scotland Yard.

Bangalore. Three high-profile women murdered, their bodies draped in identical red saris. 

When the killer targets the British Foreign Minister’s ex-wife, Scotland Yard sends the troubled, brilliant Vijay Patel to lend his expertise to the Indian police investigation. A stranger in a strange land, ex-professional cricketer Patel must battle local resentment and his own ignorance of his ancestral country, while trying to save his failing relationship back home. 

Soon, the killer’s eyes will turn to Patel. And also to Chandra Subramanium, the fierce female detective he is working with in Bangalore.

This breathless thriller will keep you guessing until the final, shocking revelation of the killer’s identity.

Below, you can read an excerpt from the novel. 


From Cold Sun

Sparks flew from the welding gun. Spots danced in the boy’s unprotected eyes. He blinked them away, placed the gun on the tamped earth, stood, stretched. Waiting for the metal to cool, he watched the mechanic kneeling in the dirt, blue coveralls filthy, reattaching a rusty bumper to an old Ambassador. The mechanic glanced up, his eyes meeting the boy’s and flitting away like a butterfly. He nearly dropped the bumper.

It wasn’t often that the boy allowed his eyes to meet another’s. Crouching now, he steadied the cylinder at his feet, checked if the joint had sufficiently hardened. Tugged at it to make sure. Then he lifted the cylinder into his backpack. Without a word or nod to the mechanic, he lifted the pack to his shoulder and left.

Outside, he paused to blink a few times. The sun hung low over the strip of wasteland on which the concrete and corrugated-iron motor-repair shack perched. Scrub grass, hard brown earth. Torn plastic bags flapped in the dusty breeze. A faint stink of decaying offal and human faeces. The rough concrete walls and curtained rear doorways of a row of butcher shops stretched in either direction. The boy walked slowly, eyes lowered.

A street dog nosed at a mound of rubbish. Her teats stretched low, pink and white patches on them. One eye glistened pearly in blindness. Ignoring the angry buzz of displaced bottle flies, the boy knelt beside the dog. He brought some stale bread from his pocket. The dog wagged her tail. Intent, the boy watched her gobble it down from his open palm. He let her lick his fingers, lifted them to his nostrils, smelt the stench of rotting meat and butcher’s bones in her saliva.

Soon the dog grew restless. She cocked her ears at some far off sound, prepared to move on. The boy reached for his backpack, slid the zip open. The dog wagged her tail again with renewed enthusiasm. He tugged at the metal ball one more time. The joint had hardened well. He fitted it into the tube.

The dog’s tail drooped to cup her anus as the boy positioned the tube’s mouth to her forehead, his knee propped under her jaw. Inured to the city’s noise, she barely flinched when he pulled the lever and the sudden boom filled the air.

The tail wagged on for a few moments, even after the one good eye had glazed over. A smile curled the boy’s lips. He gazed slowly around the empty wasteland. Then he packed up and left.

Soon, a blanket of bottle flies covered the carcass.


Chapter One

‘Patel!’ Sergeant Jackson hollered across the heads of fourteen detectives busy at their desks. ‘Skinner’s looking for you. Hop to it, baby.’

Patel ignored the sniggers. He took the blue pencil to the report in his hand, marked a missing apostrophe to the word ‘its.’ He threw the pencil into an open drawer, where it was swallowed by clutter, and ran a hand through his hair.

‘Sadly, I already left,’ he said to Jackson, who just shrugged.

He closed the file, tucked it under an arm, slung his jacket over one shoulder and jogged to the stairs. His hair bounced and flopped over his forehead, overdue a cut. Boyish locks did not suit a homicide detective. Even if, as Sarah put it when she felt friendly, combined with his smoky brown eyes they made him look like a Bollywood hero.

By the time he’d passed the IT help desk and rounded the conference block, he was out of breath. Those years of athletic training were long gone, together with his cricketing career. Mostly now he ran to catch the Piccadilly Line and lifted pints of lager.

He slowed outside the row of senior management’s private cubicles, glanced through windows overlooking the Thames. Bitter rain streaked the glass, transforming London’s dust into slime. Through the worm-runs of water, he saw the traffic lights flash dully on Westminster Bridge. Orange, then red.

Perfectly miserable weather. Perfect for a jaunt down the road for a pint of London Pride. But really, he ought to be heading home to pack. The flight was at five a.m. and he hadn’t so much as laid out a pair of swimming trunks. In fact, where were his trunks? He’d last seen them in September, when they’d booked a holiday at some posh hotel in Cornwall. He and Sarah. Booked and cancelled last minute for emergency root-canal treatment. The very thought of it made his jaw ache.

He pushed Inspector Rima’s door open.

She looked up from her computer, swept her hair off her shoulder, said, ‘Don’t you knock?’

‘I was going to leave this on your desk.’

She held her hand out for the report, eyes twinkling. ‘So you’re off, then? Sunny Tenerife?’

‘Yeah.’ He grimaced, breathless and sweaty, feeling a little foolish to be having this conversation. ‘Nearly got cancelled again.’

‘Oh yeah?’

‘This case came up.’ He indicated the file, the cover of which Rima was flicking open. ‘Skinner assigned me.’

Rima raised her eyebrows. She wasn’t unaware of Superintendent Skinner’s feelings about Patel.

‘You got lucky?’

‘I guess.’

‘How?’

‘Deceased is a forty-one-year-old homeless male. Name: John Snow.’

‘No kidding.’

‘Anyway, another homeless fella comes down off his four-day bender under some bridge in West Margate, half frozen to death. Looks down, sees the blood all over his bony hands, his rags. Runs himself and his bony arse straight to Station WB10 South Precinct and ’fesses.’

Rima, flicking through the report, didn’t appear to be listening.

‘You’d think the devil got hold of the poor bugger.’

Rima closed the report, opened it again, studied the top sheet. She frowned, put her finger on it.

‘Why no copy for the FLO?’

‘Homeless man doesn’t rate a Family Liaison Officer.’

She made a face. ‘Of course. We’ve to make “savings” –’ she used air quotes ‘– of thirty million by the end of the year.’

‘You sound just like Skinner.’

She smiled. ‘If we had the resources, we’d track his family down. Even a bum has family, somewhere.’

It was unlike her to display Samaritan urges.

‘Homeless murder,’ said Patel. ‘Cold pavement to cold slab.’

‘Poor bugger,’ she said. She stared at him. ‘Come here.’

A shiver up his spine. ‘Got to go pack, Inspector.’

She came around the desk and put a finger on his shirt button.

‘How about something to remember me by in Tenerife?’ Fighting the urge to back away and run, he said, ‘Sarah wants to—’

A knock on the door. Without pause, it opened.

‘There you are, Patel. Been looking everywhere for you.’ The smarmy voice of Detective Inspector Bingham.

Rima’s hand was back by her side. ‘Dave,’ said Patel. ‘Not down the pub yet?’

‘About to, then I got asked to run an errand.’ Bingham chuckled, then guffawed.

Patel smelled beef stroganoff from the canteen lunch. He waited. He thought there was a joke brewing.

Bingham guffawed and chuckled some more before saying, ‘Super wants you.’

‘When? Tomorrow?’

‘Now, cupcake. He’s got an assignment for you.’

‘He knows I booked the week off.’

‘Yeah, he might have mentioned something like that. All the homicide detectives tied up, you know? After the New Year’s Eve spike in cases and all.’

‘You’re the SIO?’

‘Nothing to do with me. I’m going to Thailand tomorrow. Did I tell you? Warm up me old cobblers.’

Patel just looked at Bingham.

‘Don’t keep the man waiting. Ta, love.’ A quick ferrety glance at Rima and Bingham went away, strutting and chuckling his head off.

Patel raised his eyebrows at Rima.

She twitched her lips in a smile. ‘Go and get some, Sergeant.’


*


‘Have a seat, Patel.’

Superintendent Skinner gestured to the faded leather chair across his desk. Patel cautiously lowered himself into it, knowing it creaked madly. Although the smile on his face and his salt and pepper bouffant hair gave Skinner an avuncular air, his steel-grey eyes emanated hate.

‘You’ve closed the homeless case.’

‘Yes, sir.’

‘You’d think that in these times of austerity we wouldn’t have the resources to go after every teenage drug overdose, every homeless man pissing himself to death.’

‘It was murder, sir.’

Skinner’s smile vanished. ‘Murder of one fuck-head bum by another.’

‘Report’s been submitted, sir. Second-degree manslaughter.’

‘Justice for the poor homeless man. Could go on a recruitment poster: “We serve with ... care in the community.”’

‘Just doing my job, sir.’

‘Twice the patriot, aren’t you? Playing cricket for the country, and now righting the wrongs done to your countrymen, be they royals or the great unwashed.’

Patel felt a prickle of wariness.

‘Our poster boy.’ Skinner’s tone implied he was a highly unlikely one, and on that point, at least, Patel had to concur.

‘You’ve been with us three years, have you not?’

Patel nodded. Baiting, taunting, and now the trip down memory lane.

‘You certainly caused a storm in Yorkshire.’

Patel stared at Skinner, keeping any emotion off his face. ‘The Dales Ripper.’ Skinner smacked his lips. ‘Some of us can only dream of netting such a high-profile criminal.’ Skinner leaned forward. ‘Tell me. What did it feel like, the eureka moment?’

‘Eureka moment, sir?’

The whites of Skinner’s eyes shone like a dirty enamel sink that’d had a good scrubbing.