Congratulations to UoL MA and PhD graduate, Cathi Rae, whose new poetry collection has been just been published!
Cathi Rae is a poet, spoken word artist, teacher of creative writing and anti-ageist activist. She has performed throughout the UK and has been described as a "spoken word icon" by Joelle Taylor. Cathi has an MA in Creative Writing and a practice led / creative PhD - both awarded at the University of Leicester.
About Writing Elegies for Dead Men I Didn't Meet, by Cathi Rae
Nick Everett writes: "This collection explores the painful but important subject of male suicide in a series of eloquent and sensitive poems, each informed by a true story. Drawing only on information publicly available on social media, these are poems of respectful distance as well as of imaginative sympathy; and they bear moving testimony not only to the distinctive of each commemorated individual but also to the tragically powerful social forces that lead men to suffer in silence rather than share their feelings."
Nick Everett writes: "This collection explores the painful but important subject of male suicide in a series of eloquent and sensitive poems, each informed by a true story. Drawing only on information publicly available on social media, these are poems of respectful distance as well as of imaginative sympathy; and they bear moving testimony not only to the distinctive of each commemorated individual but also to the tragically powerful social forces that lead men to suffer in silence rather than share their feelings."
20% of all sales revenue will be donated to @andysmanclub - a UK based grassroots charity supporting men's mental health. You can read more about Cathi's work on the publisher's website here. Below, you can read two sample poems from the collection.
From Writing Elegies for Dead Men I Didn't Meet
Tiger Feet
There’s a photo of you a snapshot snap-shot
in a kitchen full of the clutter of life with children
a jumble of laundry
leaning into the door of the washing machine
an endless cycle of
clean and worn and dirty
and is this how you came to feel
worn out and dirty
but there’s this picture
taken for no special reason
except that someone said smile
and so you did
can of beer
comfortable in your fist familiar
I can tell
and you should be wearing Riggers
or Docks or even battered baseball boots
smeared with plaster stains and paint
work wear work-worn
instead you’re wearing tiger slippers
you’re wearing tiger feet
daily everyday wear
seen better days
your suicide almost unnoticed
no social media Greek chorus grief
seven people noticed that you were gone
worn out and dirty
endless cycle ceased
and I wonder
what happened to your tiger feet.
Club 18 to 35
Planning a road trip with a mate so off his head on pills
he’s already seeing double before you’ve even left the car park
tyres with tread so thin that only belief
keeps traction on the road
and a brake light that flickers
On
Off
On
Off
don’t think about it
pump up the volume
bang out a rhythm on your steering wheel
this is still safer than being a boy aged 18 to 35
or on an off-the-books
and under the radar building site
you stand on scaffolding
railing at the skies
sans hard hat of course
because you’re hard enough
“Come on God - do you want some?”
this is still safer than being a boy aged 18 to 35
be a squaddie
in an army any army
in a desert far from home
where the red dust road goes on forever
dropped into a landscape you can’t read
not fluent in foreign
scarcely fluent in your mother tongue
this is still safer than being a boy aged 18 to 35
be a superhero
on a media friendly tower
acrid smell of sweat and fear
homemade banner Rights for absent fathers
the S scrunched up too small
looked so much easier when you planned it on the web
this is still safer than being a boy aged 18 to 35
blamed for every act of violence
held responsible even when you weren’t
finally formulated this efficient use
of guns and ropes and pills
rubber tubing snaking from exhausts to driver’s seat
this tidying up of all loose ends
finally in touch with your feelings
too late
when a room’s on fire
sometimes a leap into nothing
feels the safest thing.


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