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Wednesday, 7 October 2026

Anime, ADHD and Me

By Mathew Lopez-Bland


Having just failed his graduation exam for the third time, Naruto watches on as the rest of his classmates celebrate graduating from the ninja academy.


When I started pitching ideas for my PhD, I knew that I wanted to write about anime, but I wasn’t sure what I wanted to say. Japanese animation had been an ever-present in my life, ever since I’d first watched the Pokémon anime, back in the late 90s. Over the years, the medium had come to mean so much to me, but I’d never really thought about why.

Then, in 2021, I got the answer I was looking for, when I was diagnosed with ADHD. I realised that anime mattered to me because throughout my childhood, before my diagnosis, it’d been the characters I’d seen in anime, like Naruto Uzumaki, from Naruto, who’d taught me about myself. 

In Western media, delinquent characters always seemed to be the butt of the joke, the naughty boys that everyone laughed at, but nobody cared for. When an episode of The Simpsons ended, Bart’s life went back to normal. His actions had no lasting consequences, as each week everything started over again. But in anime, things were different. In long running shonen like Naruto, hyperactive and disruptive young boys, like me, were taken seriously. For all of Naruto’s bravado, the show’s early overarching storylines hinge on his isolation, and his desperation to overcome his flaws and be accepted by his peers – feelings I understood all too well.

Within a few months of my diagnosis, I was researching at the University of Leicester, working on a thesis titled, ADHD, Anime, and Writing Creative Non-Fiction. This consisted of a 40,000-word creative non-fiction collection, and a 30,000-word reflective commentary. The creative work used a hybrid form of memoir and essay to explore how my ADHD symptoms had affected my life, and how the stories and characters I’d found in anime had helped me to understand who I was, and where I fit in the world around me. My commentary looked at how experimenting with the structure and form of my essays led to me using more rigid, conventional writing structures, as a kind of "medicine" for my ADHD. 

Now that I am almost a year on from completing my studies, I look back at my PhD as a period of both creative and personal maturation. As I write this, I realise how glad I am that I persevered and insisted on writing about something that meant so much to me. At times, it was a painful and tiring process, but it was also joyous and revelatory, as I found that I learnt almost as much about myself, as I did about the craft of writing. I don’t know where my writing will take me next, but I do know that the my research journey was more rewarding than I had ever anticipated.



About the author
Mathew Lopez-Bland lives on a farm with his fiancé and their pet cat. When he’s not writing, he’s usually watching anime or playing football. He has a PhD in Creative Writing, and his short stories and poetry have appeared in various literary magazines.

Tuesday, 6 October 2026

Book Review Competition and Creative Writing Workshop for Bedford College Group

To celebrate the National Year of Reading 2026, the Centre for New Writing at the University of Leicester is holding a Book Review Competition and Creative Writing Workshop in conjunction with the Bedford College Group. The Book Review Competition is open to students at the Bedford College Group, and all entries will be considered for publication for publication on our popular book review blog Everybody's Reviewing. The workshop on "Non-Linear Narratives and Storytelling for Games" will run in Tresham College in Kettering on 16 October 2026, and is taught by Laura Besley and Jonathan Taylor. Details are below!




Friday, 2 October 2026

Angel T. Dionne, "Garden-Body"

 


Angel T. Dionne is a surrealist writer and professor at the University of Moncton’s Edmundston Campus. She obtained her PhD in Creative Writing at the University of Pretoria in 2021. She is the author of Garden-Body (Radiant Press, forthcoming) and Bird Ornaments (Broken Tribe Press, 2025). She takes her coffee black and her fish tinned. Her website is here. 




About Garden-Body, by Angel T. Dionne
Lev’s Body grows only tangled weeds. His mother is part flora, part fauna; and his father is a bowl of ash. Through surrealist fragments of prose poetry, Garden-Body traces the invasive rhizomes of Lev’s life. 

Below, you can read two excerpts from the book. 


From Garden-Body

Birth
Lev is born without lips; a canvas of flesh stretches from cheek to cheek. A clean slate, his mother calls it, bird-pecking the place where his mouth should be. The doctors cut a thin line using a utility knife and expose rows of teeth already grown in, shimmering, adularescent moonstones. 

They slash him a bloodied smile and saddle-stitch the corners into an upturned crescent, so that even his cries look like laughter. 


A Collection of Eights
It’s worth mentioning now that Lev’s brother never really grew older than the age of eight. Benny slowly became his younger brother, then. He must have hatched from an eggplant, their mother says, whenever Benny spills his drink, or gets off his leash and bites a pedestrian, or births a small animal in the bathroom. She spikes her stinging-nettle tongue against him but always scoops the stillbirth from the toilet with her hands, pickles it, and writes Benny’s age on the jar in red marker. The naked deadborn rest in their salted brine, curling into themselves; swollen and decayed.

Every shelf in the house is crowded with dead things, all of them labeled with the number eight.